no check to go with it, but there isn’t, and God knows when there will be. You don’t have to answer this letter. You don’t even have to keep it. I have a carbon. I just never did get out of the habit of keeping carbons of things, and when I first put the sheet of paper in the typewriter I hoped it would turn out to be a poem. But maybe this is better. The world has enough poems, and maybe it needs more prose.
Anyway, I’ve solved a problem. When I started this I didn’t know what to do, and now I do. I’m going to tuck this into an envelope and go downstairs and mail it, and then I’m going over to the Kettle to get drunk.
You may be hearing more from me, Lisa.
With love (but without $850),
Larry
2
74 Bleecker St.
New York 10012
June 15
Mr. Stephen Joel Adel
c/o American Express
Monterrey, Mexico
Dear Steve:
Let me tell you in front, old pal, that I think you’re a total rat bastard and an unprincipled son of a bitch who ought to be tied up and horsewhipped.
Now that we’ve got all that out of the way, I thought I’d write and tell you and Fran how I’ve spent the past couple of days. As she may have told you, Fran was considerate enough to leave a note, and it seems only civil of me to respond to it. I originally thought of writing to Fran instead of to you, since it was Fran and not you who left the note for me. But I rolled this sheet of paper into the typewriter and stared at it and, instead of typing “Dear Fran,” I typed what you see above. This sort of thing has been happening lately. I started to write a poem Friday afternoon, and what came out was a letter to Lisa. You remember Lisa.
Why didn’t you ever take Lisa to Mexico, you son of a bitch? Christ, I would have paid your plane fare.
Anyway, the point is that I’ve decided not to fight my typewriter. Whatever it wants to do is fine by me. I spent a year and a half deep in writer’s block, and now that I think about it I can’t avoid the suspicion that it happened because I would sit down at the typewriter with certain preconceptions that kept getting in the way. I would decide to write a certain poem, and that poem just wouldn’t happen on the page, and as a result I didn’t write anything for a long time, until I decided to shortcut the whole operation by not sitting down at the fucking typewriter in the first place.
You picked a good day to take yourself and Fran out of my life. I got home early that afternoon because they canned me at Ronald Rabbit’s . They finally figured out that I was a captain without a ship, and instead of finding another ship for me they cut me adrift and let me swim. You’d love the story, but I’ve already written it all to Lisa and I don’t want to go through it again. It wasn’t that much fun to live through, let alone to write about. If you ever have an affair with Lisa (after all, there are only three hundred people in the world, and sooner or later they all sleep with each other), maybe you can get her to show you the letter. Or if you ever meet Clay Finch, he’ll give you his side of it.
I got home from Ronald Rabbit’s with my cottontail between my legs, and found that you had hied yourself south with my wife and my fifteen hundred dollars. I know it’s ungallant as all hell for me to say this, and you may not want to show this part of the letter to Fran, assuming you want to show her any of it, but of the two, I rather miss the fifteen hundred more. I had a use for it, what with a drawer full of bills and alimony to pay and no money coming in. I had a use for Fran, but we must face facts. If one takes a walk down the street, one has a much better chance of picking up a woman than of picking up fifteen hundred dollars.
An even harder thing to pick up this late in life is a best friend. Much as my first impulse was to hate you, I’ve decided it would be silly to throw off a fifteen-year friendship over something like this. At the moment you’re near the top of my shit list.