cohost of
Chasing History’s Monsters
, the cable television show she’d worked for these past few years. Yes, normally she would’ve worked with a cameraman and wouldn’t have to worry about framing and proper exposure, but she was a steady hand at this by now and probably could have shot, edited and produced the entire show on her own.
Which was exactly what she was intending to do for this one.
The whole thing was a bit of a lark, she had to admit. She’d been with her regular crew in the Czech Republic, filming an episode on Faust and the mysterious creatures that still supposedly haunt his house, but the shoot had wrapped early. With a few extra days suddenly on hand, Annja decided to make the jaunt across the border into Slovakia to do some rock climbing and maybe even visit Báthory’s legendary castle.
She’d caught a flight into Bratislava, took a train northeast into Košice and drove the short distance to the small village of Višňové. Annja could see the castle’s ruins on the hill above the village as she’d driven in, and that was when the idea had struck. She’d checked into her hotel, fired up her laptop and searched the database.
For some strange reason,
Chasing History’s Monsters
had never done an episode on the world’s most notorious serial killer, Countess Báthory herself.
Don’t look a gift horse in the mouth, Annja, she’d reminded herself, and decided then and there to see what she could put together on her own. Selling a complete episode—shot, cut and edited—to her producer, Doug Morrell, would net her some extra cash and give him an episode he could deliver to his own bosses seemingly overnight. That would make him look good, and he could even hold on to it for an emergency situation when some other episode’s filming went south. It was a win-win situation.
She was pretty certain Doug would take the show; the subject matter was right up his alley. It would make a great episode.
If she could get the opening right, that was.
Annja turned and surveyed the ruin of the castle. There really wasn’t much to look at, truth be told. A few sets of crumbling walls, an extended tower or two, but not much more than that. The castle had been sacked and plundered by Ferenc II Rákóczi in 1708 as part of the Hungarian uprising against the Hapsburgs. It had been left to fall into ruin, and a ruin it had become.
And yet something still drew people here.
She knew what it was, of course.
The lure of history.
Annja understood that; she’d felt that same thrill, that same connection to the past, every single time she’d started an expedition or been involved in an archaeological dig. It was the reason she’d pursued her chosen career—as an archaeologist, not as a television host—in the first place. To reach out and touch something from the past, to hold a piece of history in your hands and wonder about the person who’d last held that object hundreds, perhaps even thousands, of years before... Yes, archaeology had a way of getting down deep into a person’s soul.
But in this case it was more than that.
It wasn’t just the lure of history.
It was the legend of the Blood Countess.
The idea of standing on the same stones where the notorious serial killer had once lived held a kind of eerie fascination for many people. The fact that it all happened back in the 1600s didn’t make any difference; as with Vlad Dracul, the Wallachian prince who was generally recognized as the inspiration for Bram Stoker’s
Dracula
, the legend of Elizabeth Báthory had grown over the ages.
However, Annja wanted to expose the history behind it all. No doubt Doug would prefer her to ignore the high road and feature reenactments of the beautiful Báthory climbing naked out of a pool of blood. But that simply wasn’t Annja’s style.
If she was going to do a show about Báthory, she was going to tell the truth.
Or at least as much of the truth as anyone knew.
Annja stepped to the edge of the