the crowd, a ceiling made of fiery magma, unreal but belching real flames, and no one paid attention; those with business ran from one booth to another; farther back, green letters jumped, columns of numerals flowed down narrow screens; other booths had shutters instead of doors, which lifted rapidly at anyone's approach; at last I found an exit.
A curved corridor with an inclined floor, as sometimes in the theater; from its walls, stylized conches were shooting forth, while above them raced the words INFOR INFOR INFOR without end.
The first time I had seen an infor was on Luna, and I had taken it to be an artificial flower.
I put my face close to the aquamarine cup, which immediately, before I could open my mouth, froze in readiness.
"How do I get out of here?" I asked, none too brightly.
"Where are you going?" a warm alto answered immediately.
"To the city."
"Which district?"
"It doesn't matter."
"Which level?"
"It doesn't matter; I just want to get out of the station!"
"Meridional, rasts: one hundred and six, one hundred and seventeen, zero eight, zero two. Triduct, level AF, AG, AC, circuit M levels twelve, sixteen, the nadir level leads to every direction south. Central level—gleeders, red local, white express, A, B, and V. Ulder level, direct, all escals from the third up…" a singsong female voice recited.
I had the urge to tear from the wall the microphone that was inclined with such solicitude to my face. I walked away. Idiot! Idiot! droned in me at every step. EX EX EX EX —repeated a sign that was rising, bordered by a lemon haze. Exit? A way out?
The huge sign said EXOTAL . A sudden rush of warm air made the legs of my trousers flap. I found myself beneath the open sky. But the blackness of the night was kept at a great distance, pushed back by the multitude of lights. An immense restaurant. Tables whose tops blazed with different colors; above them, faces, illuminated from below, therefore somewhat eerie, full of deep shadows. Low armchairs, a black liquid with green foam in glasses, lanterns that spilled tiny sparks, no, fireflies, swarms of burning moths. The chaos of lights extinguished the stars. When I lifted my head I saw only a black void. Yet, strangely enough, at that moment its blind presence gave me courage. I stood and looked. Someone brushed by me; I caught the fragrance of perfume, sharp yet at the same time mild; a young couple passed; the girl turned to the man; her arms and breasts were submerged in a fluffy cloud; she entered his embrace; they danced. They still dance, I thought to myself. That's good. The pair took a few steps, a pale, mercurylike ring lifted them up along with the other couples, their dark red shadows moved beneath its huge plate, which rotated slowly, like a record. It was not supported by anything, did not even have an axis, but, hanging in the air, it turned to the music. I walked among the tables. The soft plastic underfoot ended, gave way to porous rock. I passed through a curtain of light and found myself inside a rocky grotto. It was like ten, fifty Gothic naves formed out of stalactites; veined deposits of pearly minerals surrounded the mouths of the caves; in these people sat, legs dangling; small flames flickered between their knees, and at the bottom lay the unbroken black surface of an underground lake, which reflected the vaults of the rocks. There, too, on flimsy little rafts, people were reclining, all facing the same way. I went down to the water's edge and saw, on the other side, on the sand, a female dancer. She appeared to be naked, but the whiteness of her body was not natural. With short, unsteady steps she ran to the water; when her body was reflected in it, she stretched out her arms suddenly and bowed—the end—but no one applauded; the dancer remained motionless for a few seconds, then slowly went along the shore, following its uneven line. She was perhaps thirty paces from me when something happened to her. One moment I saw her