war—brutality beyond what we can reasonably absorb—that is to blame.
Wives from Tecmessa's day until now have wished that they could say the thing that would let their men go back to “before,” that would put everything back where it belonged, where the men they loved were not sprawled in silence or off someplacetwo thousand yards away. I know, as these wives know, that wishing will not return life to “before.” “Before” is forever gone.
When my son Wade died, I spent so many days or weeks or months trying to find a way to make it not so, to have him live. The American poet Edna St. Vincent Millay writes of this desire in her lovely poem “Interim”: “How easily could God, if He so willed, set back the world a little turn or two! Correct its griefs, and bring its joys again!” That's all we want. A little turn or two. And Wade is alive, and the cancer is gone, and my husband turns away from the ludicrous words “You are so hot.” Just a turn and all these things can go away and we can go back to having a freckled son. Just a turn and the ninety-some years that my grandmothers lived will be mine, too. Just a turn and the misery of having your past and your future taken away by something so unpleasant as a woman with nothing but idle time to spend hanging around outside fancy hotels would be avoided.
But we cannot, they cannot turn back. This is the life we have now, and the only way to find peace, the only way to be resilient when these landmines explode beneath your foundation, is first to acceptthat there is a new reality. The life the army wife knew before her husband went to war, the life of the patient before the word “terminal” was said aloud, the life of the mother who sat reading by her son's bed and not his grave, these lives no longer exist and the more we cling to the hope that these old lives might come back, the more we set ourselves up for unending discontent.
Each time I fell into a chasm—my son's death or a tumor in my breast or an unwelcome woman in my life—I had to accept that the planet had taken a few turns and I could not turn it back. My life was and would always be different, and it would be less than I hoped it would be. Each time, there was a new life, a new story. And the less time I spent trying to pretend that Wade was alive or that my life would be just as long or that my marriage would be as magical, the longer I clung to the hope that my old life might come back, the more I set myself up for unending discontent. In time, I learned that I was starting a new story. I write these words as if that is the beginning and end of what I did, but it is only a small slice of the middle, a place that is hard to reach and, in reaching it, only a stepping-off place for finding or creating a new life with our newreality. Each time I got knocked down, it took me some time just to get to acceptance, and in each case, that was only part of the way home.
We all want a personal story line with a happy ending, understanding that in some abstract way it has to be punctuated periodically by some grief and heartache. Oh my goodness, did I want it. I was the heroine in every book; I was the poet; I was the singer or the one to whom every song was sung. I was, by any measure, ridiculous in the way I insisted that my life would be some idealized story, unachievable not only in life but in anything but the most saccharin of fiction. And in my story, the inevitable griefs could not be permanent and the unavoidable heartaches had to be curable by a corrected misunderstanding or by some perfect tenderness that thoroughly erases all pain. We so desperately want a map that lays out in serene pastels the paths our lives are supposed to take that we create them, we gravitate to them, we embrace and internalize them, all to no good end, for as my friend Gordon Livingston says, when the map does not comport with the ground, the map is wrong. In my life, the map has almost always been wrong.
We will