keys. Hop out.
LADY : Jesus, how long since youâve had a bath?
RYAN : Get out of the vehicle. Iâm not joking.
LADY : I just paid this off. Why donât you save up and buy your own vehicle?
RYAN : Iâm warning you, lady. We are committed.
LADY : You ought to be. Whatâs wrong with it? Not the starter motor, is it?
RYAN : Itâs a bugger when they play up, isnât it? Got enough oil?
LADY : You donât worry about oil.
RYAN : Donât you? Get out of the car.
LADY : Just piss off, will you please? I canât hear it start up. I paid a yearâs salary for this Austin 1800. Now look at it. Useless! Why do we bother?
RYAN : Whatâd you do with the old Salvo bloke?
LADY : I didnât do anything with him. Whatâd you do with him?
WALKER : [ upstage, out of puff, shouting ] Chucked him over a wall near a church. Iâve tried the visitorsâ carpark, Ronnie. Nothing to hot-wire. A Simca Aronde with a flat battery. A silver Jap motor scooter up on bricks.
RYAN : [ to the LADY ] Get out or Iâll shoot you. Is that plain enough? Come on. Give us a go.
RYAN stands over the LADY in the car and threatens her again with the rifle right on her forehead.
LADY : Iâve just told you I just purchased this as-new vehicle. If you want to, shoot me, because you canât obtain a decent job and save up, scrimp and save up, go without, just as I have, to boast a decent vehicle to get from Point A to Point B, then fire.
WALKER : Câmon, Ronnie. Come on.
LADY : I will not give you my vehicle. Itâs mine. Not yours. Do you understand me?! That is the end of the matter!
WALKER : [ screaming from upstage, apparently wounded ] Jesus, them sheilas from Preston, arenât they stubborn?
Sirens loudly; traffic loudly; kids playing gently in nearby school ground. School church bells gonging deliriously. Dogs yapping. Mr Whippy vans.
Look out. Hodson. Ronnie Ronnie! Ronnie!
HODSON : Ryan, forget it.
HODSON shouting as he rushes toward RYAN from a distance of twenty feet. RYAN whirls around and fires in roo-shooting position. We hear a gigantic explosion. HODSON falls downstage of WALKER . Lights out on the LADY in the car. A REPORTER stands over HODSON with a small notebook. Tram bells softly. Gently gonging State School bells and teachersâ voices calling like birds for the children to come in to class.
Light up on HODSON . Blood is gurgling out of his huge chest.
REPORTER : Man: nothing left of him.
HODSON : My Father; My Father; My Father. I just wanted to tell you thatâ¦
REPORTER : Nothing.
HODSON : Father; My Father; I just wanted to say thatâ¦
REPORTER : Right through both lungs from twenty feet away.
Two POLICEMEN appear.
FIRST POLICEMAN : Whatâs his name, mate?
REPORTER : Heâs a prison officer. George Hudson. Thatâs who he is.
SECOND POLICEMAN : Who he was. Now, look out. Rest his neck on this foam car seat thing. Prop him up on that. There, thatâs better. More comfortable.
Sirens piercingly three times.
Who killed him?
REPORTER : Ronald Ryan.
FIRST POLICEMAN : You got here quick, didnât you?
REPORTER : Quicker than you.
HODSON : My Father, I just wanted to tell you something. It was on my mind as I must have forgotten what My Fatherâ¦
The two POLICEMEN fill in their notebooks as the REPORTER looks on. Sirens stop. School bells slightly louder, children playing. Some birds. Blackout.
WALKER : This oneâs got two flat tyres, and thereâs no battery in it.
RYAN : What luck. Normally thereâs hundreds of guardsâ cars here. Perfect Irish Catholic luck. This is a comedy of errors. What can you do? Do something. How do you fire this? What have you got there?
WALKER : An iron bar with a Hawthorn footy sock over it. Bolt. Theyâre onto us. Up Sydney Road. Weâll have to run for it.
RYAN : Oh, brilliant! My gun doesnât even go off.
Sirens are deafening. RYAN and WALKER run onto