worked as a supply teacher and – shockingly – didn’t drink much. They had four photogenic children at various schools and universities which meant Dave had no hope of quitting any time soon, unless an exceptionally generous voluntary redundancy package came his way.
‘You want my advice?’ he’d said to Esme at a recent leaving party, slurring his words and bending his head in too close to hers so that she could smell the brackishness of hours-old white wine on his breath. ‘Get out while you can. Go and make some money. Wish I’d done that. Wish I’d gone into fucking PR like my mate Rupert . . .’
She didn’t like it when Dave got drunk. It demeaned him, she thought, made him like all the others. Sober, he was a brilliant news editor: dogged but instinctive and blessed with a peculiar ability to inspire loyalty despite his personal failings. You genuinely wanted Dave to say something you did was good. In his day, he’d been a solid but unexceptional reporter on the Express and covered the first Iraq War. But it was editing that brought the best out of him, that played to his sense of mischief and his mistrust of authority.
Esme sighs. She has a bit of a crush on Dave, actually, which is odd considering he isn’t what you might describe as a looker. He is half an inch shorter than her for a start, with boxer’s shoulders and a chunky, muscular frame: not the type she’d normally go for at all. But there’s something about him. She’s always been a sucker for men in power, for a start, and he’s funny too, in a quiet, lethal way. She catches him sometimes, just after he’s issued one of his sarcastic put-downs to an unsuspecting reporter, and his face looks like a small boy’s: cheeky eyes and a lopsided grin that almost makes you forget the bad teeth and the irritating habit he has of practising his golf swings when you’re trying to talk to him.
She’s not stupid though. Esme won’t let anything happen. It’s hard enough being a woman in a newsroom without the whispers behind your back that you’re only getting the good jobs because you’re sleeping with the boss. Besides, she flatters herself that he respects her too much to try it on.
She turns right down Kensington Church Street, looking in the windows of all the lovely antique shops as she passes, filled with beautiful trinkets she would never be able to buy. The blossom is out on the trees: big pink clouds that she wants to squeeze, like a baby’s legs. Esme feels a surge of happiness that spring is here. The evenings are lighter and longer, sunlit by the yellow-green London glow. Ever since she moved here from her family home in Herefordshire, the excitement of the city has pulsated through her veins: a buzzing, booming sensation of being at the centre of things, of believing anything could happen.
Her pleasant mood is accompanied by a feel-good soul number, courtesy of Radio 1, so that, for a few moments, she feels as though she is the star of a beautifully shot indie film with an interesting soundtrack.
Then she remembers that morning conference is less than an hour away and a panic rises in her gullet. Stories, she thinks. I need stories.
The Sunday Tribune was one of the only nationals that still insisted its reporters must gather at 10.30 a.m. on a Tuesday morning in the offices of the overall editor and pitch two news stories for the weekend’s edition. When Esme first started there a little over eighteen months ago, fresh out of the Hunter Media trainee programme (flagship publication: Trucking Today ), she had been desperate to impress. She’d brought in a bona fide scoop in her second week, involving the discovery of a protected bird species on land that had been earmarked for a controversial detention centre for asylum seekers. It ran on page five (right-hand pages were always the best) alongside a picture of an owl and some sad-looking Africans. The RSPB had called her story ‘game-changing’. The detention centre