cylinder of blades that twirled on the axel. Iâd seen him pushing it around his yard, and around our yard, too. I wheeled it out. Then I knocked back the rest of the Bellâs and set the flask carefully on the patio.
Iâd never used a push mower before, but there wasnât much to it. I released the catch on the safety lock, lined the front up with the edge of the lawn, and guided it along. Like all of Gwilymâs tools the mower was well - kept, the wheels oiled, the blades clean. As they spun around, they flashed and made a soft snick - snick sound, like a barberâs scissors. Bits of grass fluttered up and caught in the breeze. The smell was really something: sweet and fresh, like corn on the cob when youâre stripping the husks. I walked the mower the full length of his lawn, pirouetted it on the spot, and pushed it back. I kept on doing that.
About halfway through, I heard a clap of thunder. Then came the rain â this warm spring rain, the drops fat and heavy as marbles. I didnât stop, even when it really started to hammer down. Pretty soon my shirt was drenched, my jeans were soaked, and my shoes were covered in bits of soggy grass. Rainwater ran down my face, got in my eyes, drizzled off my nose. It was like being in the shower. The next time I manoeuvred the mower around, I looked up and saw Lowri standing at the bedroom window, watching me, her face pale as a moonstone behind the glass. She didnât wave or smile. But she didnât tell me to stop, either.
GROUND - NESTER
Stevie Davies
When Daisy noses out the mother bird, bloody meat and scrambled eggs is what sheâll be, Chris says. But the labrador â speeding down the lawn, nostrils flown with rich scents â lollops past the ground - nester into the poppied wilderness thronged with field mice and hedgehogs, where their garden joins the common.
âBlinded poor Daisyâs nose she has,â Carly says, on tiptoe at the kitchen window. âNoses are eyes, arenât they, in the doggy world?â
The mother bird has shrunk to a dapple of shadow, hardly visible. The earthâs tremor as her enemy swept by must have registered in her belly, jostling the yolks in their shells.
âDaisyâs daft but not that daft,â Chris says. Only a suicidal quirk of nature could have brought the ground - nester to the edge of a Glamorgan housing estate, a tasty come - hither to predators.
âBut Iâve heard about this on the radio. Snipe, was it? â and quail â they switch off something smelly in their glands and that camouflages them. Natureâs so clever.â
The ground - nesterâs a nondescript sort of bird, dun and puny: no snipe or quail. I canât lose Carly, thinks Chris, even as he sees how naive she is. She has never surrendered that childhood capacity for wonder. What she sees in him, heâll never know. But whatever it is, he thanks his stars. Not that Chris believes in stars or gods or any powers except Sodâs Law. Again he keeps this to himself. Carlyâs rooted in a way heâll never be, except through her. It scares him, his dependency, but what can you do?
Chris never names his ex, even to himself. Always two sides? I donât think so. Never mind: sheâ s history.
Carly doesnât care for his bitter moods. Chris understands that and bites his tongue. She stands at the sink in skinny jeans and long grey sweater, all five foot nothing of her, swaying, arms folded, watching the mother bird, and heâd do anything for her. He folds his arms about his partnerâs slight body; they rock gently, observing the scene in the garden. Daisy, loping back, again misses the scent of prey, the dope.
âIâm off,â he says. âWhenâs Bella dropping Jarvis off?â He tries not to see her in their daughterâs slutty clothes and slovenly walk and her willingness to dump his grandson on them. On benefits, nil ambition, going