wildness and the danger, the unknown, on the other side of the glass.
But sheâs too tired to puzzle it out now. Sheâd promised to ring her mum, to tell her sheâs arrived safely. But first she picks up the threadbare towel that Tonyâs found for her and goes to take a shower.
4
âWhat about the time ââ Allan Crabtree wipes his mouth. âWhat about the time you put your Islander down in such a hurry, brakes squealing, and you jumped out like your arse was on fire. You couldnât get out of that plane quick enough ââ
Tony chuckles. âAnd Curry here comes belting across the tarmac, screaming at the top of his lungs. Youâre sacked! How dare you leave the effing plane in that state! â He gives Julie a shy glance. âExcept he didnât say effing.â
âYou were shaking like a bloody leaf,â says Allan. âShrieking like a girl. Thereâs a snake in the cockpit; thereâs a snake in the cockpit! â
All the faces around the table, Tony and the four Crabtrees, turn expectantly toward Julie, for whose benefit these stories are being told.
âOh, wow,â she says. âA snake ?â
Tony looks gratified. âI was flying in some green tree pythons for Baiyer River ââ
âThatâs a wildlife sanctuary,â says Ryan Crabtree, startling Julie with the first words heâs spoken all evening. He is Allan and Barbara Crabtreeâs son, a year older than Julie, back from boarding school for Christmas. He shoots her a glance from under his long, slightly greasy hair. Julie had dismissed him earlier as sullen and miserable, but perhaps he is just shy. She supposes it isnât his fault that his dark, heavy eyebrows give him a perpetual scowl.
Barbara says, âTony, maybe you could take Julie out to Baiyer River while sheâs here.â
Nadine, the Crabtreesâ thirteen-year-old daughter, chimes in quickly. â I want to go to Baiyer River. Iâve always wanted to go to Baiyer River. I want to see the baby deer ââ
âShut up, Nads,â mutters Ryan.
âNadine,â says Barbara, âUncle Tonyâs trying to tell a story.â She pushes back her chair and lights up a cigarette; she had waved away a bowl of fruit and ice cream when the housekeeper brought around dessert. She lowers her eyelids, heavy with eye shadow. Barbara has a dark bob, stiff as Cleopatraâs wig. She looks bored, as if sheâs heard all these stories a hundred times, but she commands, âGo on, Mac.â
âWell,â says Tony. âOne of the buggers got loose in the cabin. I managed to pin it down with a box before we landed, but its tail was thrashing around like a bloody whip. But Curry was screaming and yelling blue murder, how he didnât give a fâ didnât give a fig about any effing snake â Pardon my French, kids. Sorry, Barb . . . Youâve got a responsibility to the flaming aircraft, get back in there and shut her down properly! â
âI made him do it, too,â says Allan with satisfaction. âSnake or no bloody snake.â
âDamn thing tangled itself up behind the instrument panel. Took us hours to pull the bugger out.â
Allan takes a swig from his stubby of South Pacific lager. âRemember the day Peter Manser clipped a tree, going from Goroka to Lae? He landed at Lae and the old balus was knocked about a bit, leaves hanging out of the flaps and what-have-you. Someone said, what happened? Peter says, âOh, I hit a bird.â They said, âIt must have been a bloody big bird.â âYes . . . â says Peter.â
â It was sitting in a tree! â chorus Ryan and Nadine.
Julie laughs. Barbara blows out a stream of smoke and smiles a faint, tight smile.
âPeter used to scare the ââ Tony coughs, glancing at Julie and Nadine, ââ scare the suitcase out of his passengers. Heâd