(still with clemency). âThe sound is âthâ â âthâ!â
âAnd other countries,â said the foreign gentleman. âThey do how?â
âThey do, Sir,â returned Mr Podsnap, gravely shaking his head; âthey do â I am sorry to be obliged to say it â as they do.â
âIt was a little particular of Providence,â said the foreign gentleman, laughing; âfor the frontier is not large.â
âUndoubtedly,â assented Mr Podsnap; âBut So it is. It was the Charter of the Land. This Island was Blest, Sir, to the Direct Exclusion of such Other Countries as â as there may happen to be. And if we were all Englishmen present, I would say,â added Mr Podsnap, looking round upon his compatriots, and sounding solemnly with his theme, âthat there is in the Englishman a combination of qualities, a modesty, an independence, a responsibility, a repose, combined with an absence of everything calculated to call a blush into the cheek of a young person, which one would seek in vain among the Nations of the Earth.â
Having delivered this little summary, Mr Podsnapâs face flushed as he thought of the remote possibility of its being at all qualified by any prejudiced citizen of any other country; and, with his favourite right-arm flourish, he put the rest of Europe and the whole of Asia, Africa and America nowhere.
Charles Dickens, Our Mutual Friend (1865)
FROM âMR MOLONEYâS ACCOUNT OF THE CRYSTAL PALACEâ
[In mock Irish]
With ganial foire
Thransfuse me loyre,
Ye sacred nymphs of Pindus,
The whoile I sing
That wondthrous thing,
The Palace made oâ windows! . . .
âTis here that roams,
As well becomes
Her dignitee and stations,
VICTORIA Great,
And houlds in state
The Congress of the Nations.
Her subjects pours
From distant shores,
Her Injians and Canajians;
And also we,
Her kingdoms three,
Attind with our allagiance.
Here come likewise
Her bould allies,
Both Asian and Europian;
From East and West
They send their best
To fill her Coornucopean. . . .
Thereâs holy saints
And window paints,
By Maydiayval Pugin;
Alhamborough Jones
Did paint the tones
Of yellow and gambouge in. . . .
Thereâs Statues bright
Of marble white,
Of silver, and of copper;
And some in zinc,
And some, I think,
That isnât over proper.
Thereâs staym Ingynes,
That stands in lines,
Enormous and amazing,
That squeal and snort
Like whales in sport,
Or elephants a-grazing. . . .
Look, hereâs a fan
From far Japan,
A sabre from Damasco;
Thereâs shawls ye get
From far Thibet,
And cotton prints from Glasgow. . . .
Thereâs granite flints
Thatâs quite imminse,
Thereâs sacks of coals and fuels,
Thereâs swords and guns,
And soap in tuns,
And Ginger-bread and Jewels.
Thereâs taypots there,
And cannons rare;
Thereâs coffins filled with roses;
Thereâs canvass tints,
Teeth insthrumints,
And shuits of clothes by Moses. . . .
So let us raise
VICTORIAâS praise,
And ALBERTâS proud condition,
That takes his ayse
As he surveys
This Cristial Exhibition.
William Makepeace Thackeray, Punch (1851)
YOUR TRUE RELIGION
My good Yorkshire friends, you asked me down here [Bradford] among your hills that I might talk to you about this Exchange you are going to build; but, earnestly and seriously asking you to pardon me, I am going to do nothing of the kind. I cannot talk, or at least can say very little, about this same Exchange. I must talk of quite other things . . .
Now, pardon me for telling you frankly, you cannot have good architecture merely by asking peopleâs advice on occasion. All good architecture is the expression of national life and character; and it is produced by a prevalent and eager national taste . . .
Permit me, therefore, to fortify this old dogma of mine somewhat. Taste is not only a part and an index of morality