dropping the empty wrapper into Vincent’s upturned palms.
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‘Pity there’s none left,’ he added, sauntering round to look at Megsie and Norman, who had been watching the exchange with horror.
‘That was rotten,’ hissed Megsie, and, let’s face it, she was right.
I suppose I’d better explain a little bit about Celia and Cyril before you begin to hate them too much. What you have to bear in mind is that their parents were useless. Lord Gray (the person Prunella had made the beeline for at the Garden Party) was always being Very Important in the War Office and had never once been a normal dad at home. He’d also never recovered from being detested by his wife and had taken refuge in work virtually day and night. He even had a little camp bed in a broom cupboard at the War Office, which he slept in whenever he couldn’t face being ignored in his own home. Prunella we know too well already. Disgusted by her choice of husband, she spent her days making purchase after purchase in London’s most expensive shops. She was so well known to the staff at Harrods that red carpet was laid down for her entrances and exits and champagne served upon her arrival in each department. Only the really top staff were allowed to look at her. Everyone else had to keep their eyes lowered and remain silent unless addressed. Poor woman. She really hadn’t turned out well at all.
As for being a mother – you can imagine what a disaster that was.
This was a woman who changed her outfit five times a day, thus:
Breakfast – silken flowing robes, matching turbans and monogrammed slippers.
Elevenses – brocaded jackets and skirts, jaunty little hats with feather trim.
Lunch – exquisitely tailored suits with matching coats, shoes, gloves and handbags.
Afternoon tea – tea gowns in taffeta and tulle, delicately stitched soft shoes in complementary shades and feather fascinators in her hair.
Dinner – long evening dress with train, vast rubies or diamonds or sapphires, high heels encrusted with precious stones, and tiaras or ostrich-feather head-dresses and velvet capes that flowed around her like water.
Stains were simply not an option.
Babyhood, as you may remember, is a pretty stain-heavy phase of life. Poor Celia had the great misfortune to be brought one morning to her mother by the nurse, just for a brief visit. Lady Gray was in a coffee gown and little Celia in a delightful concoction of rosy ruffles and frills. As Lady Gray raised up the gurgling babe, Celia threw up in spectacular fashion, liberally spattering her mother and several nearby attendants. As a result, Lady Gray refused to touch her until she was seven. This probably accounts for Celia’s difficult character. Cyril was sent to boarding school when he was two and a half and only saw his parents fleetingly on school holidays when there was some sort of ‘do’ and both children had to be dressed up in scratchy clothes and wheeled out for inspection by a lot of grand people they didn’t know. Cyril called his father ‘sir’ and, as far as he knew, had never been kissed or hugged by either parent or anyone else, for that matter. So. Have a little sympathy.
The Diary 8
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Weather-cover scenes triumphant. Asa Butterfield, who plays Norman, and Eros Vlahos, who plays Cyril, acted wonderfully. Asa has been in lots of other things, like The Boy in the Striped Pyjamas and stuff, so he’s used to filming. Eros is a stand-up comic – he writes his own material and performs it in places, like at the Edinburgh Festival. He’s fourteen. I am amazed. They are both extraordinary. All the crew are very impressed. Beryl the cow is back on set with her giant googly eyes and psychological issues. I’m in what we call ‘stage three nose’ (large) but no warts. We’re hoping to get a shot of me in silhouette tonight. After eleven hours in the damp, I feel as though I’m covered with a very fine layer of mould. Horrid. And possibly true. Such a good day though.