stay with him until youâre good to go?â I asked, accepting the fact that no other alternative existed. Grace would end up divorce that much sooner if she took me in, and mom didnât want me at Roachâs, wouldnât want to be in debt to the bible thumpers, the self-righteous.
And so I moved in with Monty.
He wouldnât let me call him Grandpa.
Chapter Four
A few hours into my existence at Montyâs House of Bores and I was already stir crazy. I stalked the small bungalow like a shark stuck in a guppy tank.
There was nothing to cut my teeth on. Except maybeâ¦
âHey, is this an instant camera?â I scooped the rectangular box up in eager hands, twisting it this way and that. âMan, this thing is old. Like from the 80s.â
âThat happens to be a 1977 Polaroid special, young lady. Treat it with respect.â Monty made one swipe for the vintage camera, but I shifted out of reach. âCareful you donât drop it.â
âI wonât. I just want to check it out.â The camera had just been lying there on the kitchen table. Alone. Abandoned. Fair game as far as I was concerned. âIâve never seen one of these before. So you just focusâ¦â I pointed the camera at Monty, who immediately put fingers up on either side of his head like devilâs horns. Laughing, I adjusted the black focus wheel thingy. âTake a shotâ¦â I pressed the faded orange button. âAnd out pops the picture, right?â
Hum.
Whirl. Chug. Grind.
A three by four slide emerged from the front of the camera like it was blowing a raspberry. I angled the camera to get a better look. Nothing but a black square framed by that trademark Polaroid white boarder.
I made a face. âSo much for instant .â
âGive it a few seconds.â Monty snatched the photo before it could fall to the floor. He waved it in the air. âA little of this and,â he held up the photo, âthere she goes.â Swirls of color began to spread across the film.
âThat is so cool.â And it was. The bonus? The awkwardness and strained silences weâd been slipping into since Iâd arrived were gone. Montyâs wrinkled face gradually appeared on the film. I moved closer to watch the process, conscious that for the first time, I felt halfway comfortable in his presence.
âYou have a camera?â Monty squinted at the film.
âOn my phone.â I shrugged. âIt takes decent pictures and I play around with apps to crank them up.â
Monty frowned. Clearly, I was talking over his head. Pretty obvious after the quick tour of the place heâd given me, Monty was not of the tech world. No computer in sight and he had an old school rotary phone that sat within a special cutout in the main hallway.
âYou use different effects to make them look better.â I explained. âMake the colors pop, add text, that sort of thing. Photography is fun, and I dabble in film, but Iâm more of a writer. A screenwriter, really. I want to see my characters come to life on the big screen.â
Monty raised a brow. âMovies are moving pictures. Seems to me you should focus on what youâre good at. If you have to crank your pictures up, theyâre probably not good to begin with. Better stick with the writing.â
I gaped at him, shocked at his bluntness. He shoved the completed photo at me and in the same movement, plucked the camera from my grip.
âBut if you do want to snap a few rounds, this stays here.â Monty placed the camera back on the kitchen table. âSo we can both find it easy.â He nodded to a drawer by the fridge. âThereâs more film in there, but donât go wasting it. That stuffâs expensive and hard to come by.â
I opened the drawer, curious about the film, wondering just what kind of effects you could get if you mucked around with the development stage. Inside were a few