reached out to steady him with a firm hand. This only elicited more laughter. Then they sobered and traded quieter words.
I had a good look at them then. One was all darknessâhair, eyes, even his complexion, which possessed a smooth olive sheen particular to Mediterranean climates. He again raised a hand, this time to push a mop of thick curls off his forehead. That hand was large, the fingers long and slender, and beautifully tapered.
But it was when the other turned in my direction that my breath stopped. Where the first was dark, this man was lightâhair, eyes, skin, and even the way he held himself and the way he moved, as if he might at any moment grasp the breeze and fly out over the ocean. The fanciful notion nearly made me chuckle out loud. Here I had thought I had regained my professional perspective. But his was an artistâs face surrounded by wavy light brown hair, or at least the sort of face artists loved to capture, with its chiseled cheekbones, strong chin, and intelligent brow. And yet the mouthâthe mouth was soft, gently bowed, almost feminine in its lushness....
âAh, thatâs Vasili and Niccolo you see out there, Miss Cross.â Miss Marcusâs grin was feline and, I thought, cunning. âTheyâve been out exploring the Cliff Walk. Thank goodness neither went over the side.â
The men entered the veranda, first sitting to remove their boots and step into shoes before opening the drawing room doors to come in. They seemed startled at first to see Mrs. Wharton and me, and greeted us with brief bobs and good mornings. They continued through to the Great Hall, their steps echoing off the high ceiling.
âI assume theyâre part of the retreat,â I said. âWho are they, may I ask?â
Josephine Marcus looked almost sorry for me. Mrs. Wharton said, âMy dear, thatâs Vasili Pavlenkoâthe pretty one with the light brown hair.â
âAnd the delicious figure,â Miss Marcus added in a stage whisper. âHeâs perfectâabsolutely perfect from head to toe. But then, ballet dancers usually are.â
âA dancer,â I mused. âHow wonderful.â
Mrs. Whartonâs hand came down on my wrist, startling me with its abruptness. âNo, dear. Not any longer. Vasili sustained an injury that prevents him from dancing professionally ever again. It is his great sorrow. Heâs now a choreographer with the Imperial Russian Ballet. Do not mention his past unless he brings it up first.â
âThank you for warning me. I wonât. And the other . . . ?
âThe dark one is Niccolo Lionetti.â Miss Marcus wrinkled the perfect slope of her nose, but rather than a negative gesture there was something proprietary in her expression, though she elaborated no further.
âIs he a dancer, too?â I asked.
âGoodness, no.â Mrs. Wharton laughed again in that easy way she had. âNiccolo plays the cello, and quite beautifully, I might add. Heâs in demand in every major city in Europe. I expect the same will soon be true here in America once heâs played on a few stages.â
âI see. And whom else can I expect to meet?â
My question sent furtive glances back and forth between Edith Wharton and Josephine Marcus. Mrs. Wharton said casually, âThere is Sir Randall Clifford, of course. Heâs interested in buying Rough Point.â
âI didnât know it was for sale.â Indeed, Mr. Dunn hadnât mentioned that very pertinent fact, nor had Uncle Frederick and Aunt Louise.
âNothing is certain yet,â Mrs. Wharton explained. âIâm sure itâs no secret to you that theyâve grown tired of Newport. One cannot blame them for wishing to unload the place.â
âNo, I donât suppose so.â My thoughts turned inward. I couldnât help thinking about how much had been lost to me already, and how much more stood to be lost. My cousin