Morning Child and Other Stories Read Online Free
Author: Gardner Dozois
Tags: Fiction, General, Science-Fiction, Short Stories (Single Author)
Maybe it was an accident; maybe you just got too close to something like that when it was doing whatever it is it does.” Williams was silent for a moment, and then he sighed. “Whatever happened, you got to me afterward somehow, and I took care of you. We’ve been hiding out ever since, moving from place to place.”
They had both been nearly blind while their eyes readjusted to the night, but now, squinting in the dim glow of the low-burning cooking fire, Williams could see John again. John was now totally bald, his cheeks had caved in, and his dulled and yellowing eyes were sunken deeply into his ravaged face. He struggled to get to his feet, then sank back down onto the stump again. “I can’t—” he whispered. Weak tears began to run down his cheeks. He started to shiver.
Sighing, Williams got up and threw a double handful of pine needles into boiling water to make white-pine-needle tea. He helped John limp over to his pallet, supporting most of his weight, almost carrying him—it was easy; John had become shrunken and frail and amazingly light, as if he were now made out of cloth and cotton and dry sticks instead of flesh and bone. He got John to lie down, tucked a blanket around him in spite of the heat of the evening, and concentrated on getting some of the tea into him.
He drank two full cups before his fingers became too weak to hold the cup, before even the effort of holding up his head became too great for him. John’s eyes had become blank and shiny and unseeing, and his face was like a skull, earth-brown and blotched, with the skin drawn tightly over the bones.
His hands plucked aimlessly at the blanket; they looked mummified now, the skin as translucent as parchment, the blue veins showing through beneath.
As the evening wore on, John began to fret and whine incoherently, turning his face blindly back and forth, muttering random fragments of words and sentences, sometimes raising his voice in a strangled, gurgling shout that had no words at all in it, only bewilderment and outrage and pain. Williams sat patiently beside him, stroking his shriveled hands, wiping sweat from his hot forehead.
“Sleep now,” Williams said soothingly. John moaned, and whined in the back of his throat. “Sleep. Tomorrow we’ll go to the house again. You’ll like that, won’t you? But sleep now, sleep—”
At last John quieted, his eyes slowly closed, and his breathing grew deeper and more regular.
Williams sat patiently by his side, keeping a calming hand on his shoulder. Already John’s hair was beginning to grow back, and the lines were smoothing out of his face as he melted toward childhood.
When Williams was sure that John was asleep, he tucked the blanket closer around him and said, “Sleep well, Father,” and then slowly, passionately, soundlessly, he started to weep.
A SPECIAL KIND OF MORNING
THE DOOMSDAY MACHINE IS THE HUMAN RACE.
—Graffito in New York Subway Seventy-ninth Street Station
D id y’ever hear the one about the old man and the sea? Halt a minute, lordling; stop and listen. It’s a fine story, full of balance and point and social pith; short and direct. It’s not mine. Mine are long and rambling and parenthetical and they corrode the moral fiber right out of a man. Come to think, I won’t tell you that one after all. A man of my age has a right to prefer his own material, and let the critics be damned. I’ve a prejudice now for webs of my own weaving.
Sit down, sit down: but against pavement, yes; it’s been done before. Everything has, near about. Now that’s not an expression of your black pessimism, or your futility, or what have you. Pessimism’s just the commonsense knowledge that there’s more ways for something to go wrong than for it to go right, from our point of view anyway—which is not necessarily that of the management, or of the mechanism, if you prefer your cosmos depersonalized. As for futility, everybody dies the true death eventually; even though
They had both been nearly blind while their eyes readjusted to the night, but now, squinting in the dim glow of the low-burning cooking fire, Williams could see John again. John was now totally bald, his cheeks had caved in, and his dulled and yellowing eyes were sunken deeply into his ravaged face. He struggled to get to his feet, then sank back down onto the stump again. “I can’t—” he whispered. Weak tears began to run down his cheeks. He started to shiver.
Sighing, Williams got up and threw a double handful of pine needles into boiling water to make white-pine-needle tea. He helped John limp over to his pallet, supporting most of his weight, almost carrying him—it was easy; John had become shrunken and frail and amazingly light, as if he were now made out of cloth and cotton and dry sticks instead of flesh and bone. He got John to lie down, tucked a blanket around him in spite of the heat of the evening, and concentrated on getting some of the tea into him.
He drank two full cups before his fingers became too weak to hold the cup, before even the effort of holding up his head became too great for him. John’s eyes had become blank and shiny and unseeing, and his face was like a skull, earth-brown and blotched, with the skin drawn tightly over the bones.
His hands plucked aimlessly at the blanket; they looked mummified now, the skin as translucent as parchment, the blue veins showing through beneath.
As the evening wore on, John began to fret and whine incoherently, turning his face blindly back and forth, muttering random fragments of words and sentences, sometimes raising his voice in a strangled, gurgling shout that had no words at all in it, only bewilderment and outrage and pain. Williams sat patiently beside him, stroking his shriveled hands, wiping sweat from his hot forehead.
“Sleep now,” Williams said soothingly. John moaned, and whined in the back of his throat. “Sleep. Tomorrow we’ll go to the house again. You’ll like that, won’t you? But sleep now, sleep—”
At last John quieted, his eyes slowly closed, and his breathing grew deeper and more regular.
Williams sat patiently by his side, keeping a calming hand on his shoulder. Already John’s hair was beginning to grow back, and the lines were smoothing out of his face as he melted toward childhood.
When Williams was sure that John was asleep, he tucked the blanket closer around him and said, “Sleep well, Father,” and then slowly, passionately, soundlessly, he started to weep.
A SPECIAL KIND OF MORNING
THE DOOMSDAY MACHINE IS THE HUMAN RACE.
—Graffito in New York Subway Seventy-ninth Street Station
D id y’ever hear the one about the old man and the sea? Halt a minute, lordling; stop and listen. It’s a fine story, full of balance and point and social pith; short and direct. It’s not mine. Mine are long and rambling and parenthetical and they corrode the moral fiber right out of a man. Come to think, I won’t tell you that one after all. A man of my age has a right to prefer his own material, and let the critics be damned. I’ve a prejudice now for webs of my own weaving.
Sit down, sit down: but against pavement, yes; it’s been done before. Everything has, near about. Now that’s not an expression of your black pessimism, or your futility, or what have you. Pessimism’s just the commonsense knowledge that there’s more ways for something to go wrong than for it to go right, from our point of view anyway—which is not necessarily that of the management, or of the mechanism, if you prefer your cosmos depersonalized. As for futility, everybody dies the true death eventually; even though
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