thereâs the status!â
âYes, I expect there is.â
âIâve been to look at the rooms we get! Theyâre very poky! What room have you been given?!â
Agnes looked down blankly at the key she had been handed, along with many sharp instructions about no men and an unpleasant not-that- you -need-telling expression on the chorus mistressâs face.
âOh ⦠17.â
Christine clapped her hands. âOh, goody!!â
âPardon?â
âIâm so glad!! Youâre next to me!!â
Agnes was taken aback. Sheâd always been resigned to being the last to be picked in the great team game of Life.
âWell ⦠yes, I suppose so â¦â she said.
âYouâre so lucky!! Youâve got such a majestic figure for opera!! And such marvellous hair, the way you pile it up like that!! Black suits you, by the way!!â
Majestic, thought Agnes. It was a word thatwould never, ever have occurred to her. And sheâd always steered away from white because in white she looked like a washing-line on a windy day.
She followed Christine.
It occurred to Agnes, as she trudged after the girl en route to her new lodgings, that if you spent much time in the same room as Christine youâd need to open a window to stop from drowning in punctuation.
From somewhere at the back of the stage, quite unheeded, someone watched them go.
People were generally glad to see Nanny Ogg. She was good at making them feel at home in their own home.
But she was a witch, and therefore also expert at arriving just after cakes were baked or sausages were made. Nanny Ogg generally travelled with a string bag stuffed up one knee-length knicker leg â in case, as she put it, someone wants to give me something.
âSo, Mrs Nitt,â she observed, around about the third cake and fourth cup of tea, âhowâs that daughter of yours? Agnes it is to whom I refer.â
âOh, didnât you hear, Mrs Ogg? Sheâs gone off to Ankh-Morpork to be a singer.â
Nanny Oggâs heart sank.
âThatâs nice,â she said. âShe has a good singing voice, I remember. Of course, I gave her a few tips. I used to hear her singing in the woods.â
âItâs the air here,â said Mrs Nitt. âSheâs always had such a good chest.â
âYes, indeed. Noted for it. So ⦠er ⦠sheâs not here, then?â
âYou know our Agnes. She never says much. I think she thought it was a bit dull.â
âDull? Lancre?â said Nanny Ogg.
âThatâs what I said,â said Mrs Nitt. âI said we get some lovely sunsets up here. And thereâs the fair every Soul Cake Tuesday, regular.â
Nanny Ogg thought about Agnes. You needed quite large thoughts to fit all of Agnes in.
Lancre had always bred strong, capable women. A Lancre farmer needed a wife whoâd think nothing of beating a wolf to death with her apron when she went out to get some firewood. And, while kissing initially seemed to have more charms than cookery, a stolid Lancre lad looking for a bride would bear in mind his fatherâs advice that kisses eventually lost their fire but cookery tended to get even better over the years, and direct his courting to those families that clearly showed a tradition of enjoying their food.
Agnes was, Nanny considered, quite good-looking in an expansive kind of way; she was a fine figure of typical young Lancre womanhood. This meant she was approximately two womanhoods from anywhere else.
Nanny also recalled her as being rather thoughtful and shy, as if trying to reduce the amount of world she took up.
But she had shown signs of craft ability. That was only to be expected. There was nothing like that not fitting in feeling to stimulate the old magical nerves;that was why Esme was so good at it. In Agnesâs case this had manifested itself in a tendency to wear soppy black lace gloves and pale makeup and call