Mahabharata: Volume 8 Read Online Free

Mahabharata: Volume 8
Book: Mahabharata: Volume 8 Read Online Free
Author: Bibek Debroy
Pages:
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admission to heaven. Throughout the text, there are innumerable instances where Droupadi faces difficulties. Does she ever summon Arjuna for help on such occasions? No, she does not. She summons Bhima. Therefore, did Arjuna exist at all? Or were there simply two original Pandava brothers—one powerful and strong, and the other weak and useless in physical terms. Incidentally, the eighteen-parva classification is clearly something that was done much later. The 100-parva classification seems to be older.
    The Mahabharata is much more real than the Ramayana. And, therefore, much more fascinating. Every conceivable human emotion figures in it, which is the reason why it is possible to identify with it even today. The text itself states that what is not found in the Mahabharata, will not be found anywhere else. Unlike the Ramayana, India is littered with real places that have identifications with the Mahabharata. (Ayodhya or Lanka or Chitrakuta are identifications that are less certain.) Kurukshetra, Hastinapura, Indraprastha, Karnal, Mathura, Dvaraka, Gurgaon, Girivraja are real places: the list is endless. In all kinds of unlikely places, one comes across temples erected by the Pandavas when they were exiled to the forest. In some of these places, archaeological excavations have substantiated the stories. The war for regional supremacy in the Ganga–Yamuna belt is also a plausible one. The Vrishnis and theShurasenas (the Yadavas) are isolated, they have no clear alliance (before the Pandavas) with the powerful Kurus. There is the powerful Magadha kingdom under Jarasandha and Jarasandha had made life difficult for the Yadavas. He chased them away from Mathura to Dvaraka. Shishupala of the Chedi kingdom doesn’t like Krishna and the Yadavas either. Through Kunti, Krishna has a matrimonial alliance with the Pandavas. Through Subhadra, the Yadavas have another matrimonial alliance with the Pandavas. Through another matrimonial alliance, the Pandavas obtain Drupada of Panchala as an ally. In the course of the royal sacrifice, Shishupala and Jarasandha are eliminated. Finally, there is yet another matrimonial alliance with Virata of the Matsya kingdom, through Abhimanyu. When the two sides face each other on the field of battle, they are more than evenly matched. Other than the Yadavas, the Pandavas have Panchala, Kashi, Magadha, Matsya and Chedi on their side. The Kouravas have Pragjyotisha, Anga, Kekaya, Sindhu, Avanti, Gandhara, Shalva, Bahlika and Kamboja as allies. At the end of the war, all these kings are slain and the entire geographical expanse comes under the control of the Pandavas and the Yadavas. Only Kripacharya, Ashvatthama and Kritavarma survive on the Kourava side.
    Reading the Mahabharata, one forms the impression that it is based on some real incidents. That does not mean that a war on the scale that is described took place. Or that miraculous weapons and chariots were the norm. But there is such a lot of trivia, unconnected with the main story, that their inclusion seems to serve no purpose unless they were true depictions. For instance, what does the physical description of Kripa’s sister and Drona’s wife, Kripi, have to do with the main story? It is also more real than the Ramayana because nothing, especially the treatment of human emotions and behaviour, exists in black and white. Everything is in shades of grey. The Uttara Kanda of the Ramayana is believed to have been a later interpolation. If one excludes the Uttara Kanda, we generally know what is good. We know who is good. We know what is bad. We know who is bad. The Ramayana is like a clichéd Bollywood film. This is never the case with the Mahabharata. However, a qualification is necessary. Most of us are aware of the Mahabharata story because we have read someversion or the other, typically an abridged one. Every abridged version simplifies and condenses, distills out the core story. And in doing that, it tends to paint things in black and white,
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