Lockwood? Then at last he regained control and was able to speak like himself, with a fair imitation of naturalness. Yes, he told her, he was Clay Lockwood of Grantâs, and if he sounded funny, it was probably from force of habit, keeping his voice down, what with people out in the hallââso as not to be overheard.â With apparent relief she said then that that explained it, and then, drawing a deep breath, went on: Wellâwhat I called aboutâ!â
âYes?â he said. âWhat did you?â
âTwo things, actually. First, your five dollars.â
âPlease, forget my five dollars.â
âWell, I certainly wonât. Mr. Lockwood, girls donât acknowledge their tips, and I donât encourage them toâfor all sorts of reasons. It just doesnât work out and, besides, could lead to things weâd better not go into. So you wonât be hearing from Ida, but Iâm not a waitress, so I can tell you that getting a tip like that meant something to her. She has all kinds of trouble at home, and trouble always costs. So her face really lit up when I handed that money over, and I just wanted to let you know.â
âThen, O.K.âbut please, no more about it.â
âSo now. So now. So now.â
âYeah?â he said, and then echoed: âSo now? â
They laughed, a bit breathlessly, both seeming to know that things were about to be said that would mean a lot more than five dollars. She drew an audible breath, then declaimed: âMr. Lockwood, you did not overstep!â
âOh, I did. No argument about it at all.â
âYou did not. I wonât have it that way!â
âAndâthatâs the real reason you called?â
âWell, maybe so. It was nice, just the same, that you did leave Ida five dollars, so I had such a pleasant excuse. So all right, it could be the real reason at thatâwhy I looked you up in the book, counted tenâand dialed.â
âTo say I did not overstep?â
âIt wouldnât drop out of my mind.â
âI made a pass, though.â
âSo? Who minds a little pass?â
âI talked about your navel.â
âWell, as I told you, itâs there.â
âIâd love to wobble my finger in it.â
âListen! Are you starting all over again?â
âIâd like to. Why didnât you say you were married?â
âMr. Lockwood, thatâs the sixty-four-dollar question that Iâve been asking myself ever since you went out the door. And Iâm not sure I knowâhow do you like that? Now that I have you, at a distanceâa safe distance, I meanâon the other end of a phone and can talk in a natural way, be myself, without getting all fussedâI may just as well tell the truth and own up, I didnât want to say. I was having a very good time, enjoying it, passes and all. I kept holding it back on purpose, Mr. Lockwood.â
âWhoâs this Mr. Lockwood? To you Iâm Clay.â
âThen why donât you call me Sally?â
âSally, where are you calling from?â
âHome. Why?â
âWho else is there?â
âNobodyâIâm alone.â And then, getting the point: âOh, you mean my husband? Heâs not here, Clayâhe works at night. Heâs in show business. Heâs a magician. You must have heard of himâhe has the act at the Lilac Flamingo. ... Well, what do you think? That Iâd be dumb enough to put in this call to you with somebody listening in?â
âJust asking, thatâs all.â
âWell, certainly not! â
âThenâweâre back where we were before. Where would you like to go? To step out a little with me? And where do I pick you up?â
âBut I couldnât go anywhere.â
âIf not, why not, Sally?â
âIâm too well known, thatâs why. Clay, I see hundreds of people a day, and a