this are a kind of punch line
to a joke that isnât supposed to be funny.
Jokes are like prayers.
ODE TO THE DOUBLE RAINBOW GUY
âItâs starting to look like a triple rainbow! Oh god! What does this mean?â
â Paul Vasquez
You lost your shit over shades of light
or as you proclaimed,
oh my god
a double rainbow all the way
â
and were received like all our prophets,
with scorn. Too filled with emotion to reflect
tranquility, you burst into tears
that from some odd angle
made a small rainbow, somewhere.
Oh god, oh my god, you spoke like Job
in reverse, suddenly seeing that weâd
been given everything, and asked
god
,
what does this mean?
We answered you with laughter
because we no longer know
what it means to be astonished.
For this, for everything, we are auto-tuned.
Oh my god, what does it mean
to care about something or someone
that much. Woo! You knew
triple rainbows were impossible.
NATURE
Easily startled
by how her voice carries
over water. His ears perk
and his head rises.
She is close now,
having paddled deep
into the bulrushes
to find him. He stares,
then lowers his head
to let her know
if she gets any closer
he will charge.
TO MY BEARD
Whose absence haunted adolescence
Whose barren field I examined nightly for signs of life
Who grew on all the other boys first
Whose no-show suggested the absence of hair in other places, too
Whose absence I shaved with a Mach 3 razor one night till I bled
Who I glued on with shavings left in my fatherâs drain
Whose first, stubbly signs appeared one day miraculous as
Isaacâs birth
Who, if left alone, now grows blond and burly as the face of Western Christ
Who a century ago had to be long and full
Who the Cossacks forced Yacob Scheier to eat till he stopped breathing
Who no longer grows like assimilation
Whose absence is tolerance
Who stays stuck to faces of men in North York Jerusalem East Williamsburg
Who does not recognize me as I pass
THE REDHEADS OF SUDBURY
I want to write a poem called âThe Redheads of Sudbury for
Rocco de Giacomo.â
I want this poem to account for how so many of the girls there
have a hair colour reminding me of candies
I ate as a boy: big foots, hot lips, and sour balls â
the tangy, cherry-flavoured ones.
Those girls all looked like something bad for you
and awfully nostalgic.
Near the end of this poem I want
one of us to sleep with the cityâs one-legged stripper,
who also has red hair.
This is the kind of thing the male poets of our national anthologies
used to write about it. In my poem
I make it sound like something that just kind of happened,
you know, and isnât all that big a deal.
I would like the poem to account for how I felt
and perhaps how others feel upon leaving somewhere
where itâs still winter in April.
To leave somewhere north and come home to Toronto
during that brief season
that is neither winter nor spring. Where rain is pervasive
whether falling or not.
I want a certain kind of reader to feel a little sentimental
when I mention the Honda dealership on the outskirts of the city
and the rain gathering on the windshields.
When we pass the suburbs and see a billboard â for what, I forget â
with our area code on it, I feel close
to the way I imagine others do when they speak of feeling patriotic.
The feeling of being from somewhere.
Rocco de Giacomo told me he hadnât noticed
that so many of the girls had red hair, and asked me if I wanted to fuck any of them.
I said of course of course I wanted to fuck them all.
He talked about being married, said he was lucky.
It was a longer conversation, but thatâs the part that matters.
I donât want to be married for a long time or ever, I think.
But I was jealous of his obliviousness. Nothing at the end of
the poem
âThe Redheads of Sudbury for Rocco de Giacomaâ
happened in real life. The truth is we drank a lot and passed