early 1900s, with eaves and a slate roof. Bryn Mawr’s
volunteer fire company had just moved to a new, state-of-the-art building over
by the post office, and now, thanks to some artful masonry restoration and the addition
of new dark green shutters flanking floor-to-ceiling windows, the old firehouse
resembled an Umbrian villa. The level of manicured, obsessive-compulsive perfection
in evidence was truly impressive: The circular driveway of tiny stones looked as if
someone raked it every five minutes, whether it needed it or not.
“I would have gone with a cerulean blue for the front door,” said Joe, gesturing dismissively
at the spectacular scene before us while the ridiculously delicious scent of grilling
shellfish wafted our way. Clearly, since he hadn’t been awarded the job of designing
Gianni’s restaurant, Joe had come to the party only to catalog the nonexistent flaws
in its decor. “And they should have added about seven hundred more of those dinky
lemon trees and a vintage Etruscan trellis to form an arbor . . . what is that racket ?”
Blood-chilling, horrific screams had erupted from the restaurant. The teenage valet
parkers looked scared.
“That’s the chef, having one of his tantrums,” said Holly, tipping a valet ten bucks
as she dashed up the smooth stone steps to the front door of the restaurant. “Hurry,
we don’t want to miss it.”
We all rushed into a beautiful terra-cotta colored room lit by a huge old wooden
chandelier, with a long mahogany bar and lots of white-cloth tables in a roomy dining
area. Over by the bar stood the eponymous Chef Gianni, who had arrived five years
ago from a verdant corner of Tuscany to conquer the Philadelphia dining scene. A slim,
muscular man dressed in chef’s whites above the waist and MC Hammer–style parachute
pants below, he had a glistening bald dome and spoke with an accent as thick as a
Parma ham.
“What the fuck is this?” screamed the chef, his crimson face nose-to-nose with two
cowering, well-dressed young men, waving what appeared to be an invoice at them.
As usual, Gianni wore orange Crocs in the manner of Mario Batali, his culinary idol,
and had his sleeves rolled up to reveal intricate tattoos including the Italian flag,
the distinctive boot-shaped map of Italy, and a lavishly rendered façade of St. Peter’s
Basilica along his forearms.
I’d never actually met Chef Gianni, but he’d been anointed one of America’s rising-star
chefs by a top food magazine just a month ago. Deeply tanned, he wears several gold
earrings in each lobe, and at thirty-eight, has a proclivity for dating women in
their twenties. His downtown Philadelphia restaurant, Palazzo, occupies the penthouse
of a luxurious hotel in Society Hill, decorated with lacquered black walls and bright
red banquettes upon which patrons enjoy forty-eight-dollar pastas. Gianni, who has
the touchy temperament of a star TV chef in the making, likes to threaten to dangle
the busboys over the edge of Palazzo’s balcony while techno music pulsates in the
dining room, which customers absolutely love. “He’s so mercurial !” they invariably giggle.
Given that Holly happens to the only daughter of a billionaire—seriously, her father
is in the chicken business, and recently out-Perdued the Perdues—she visits Palazzo
frequently. Joe does a fair bit of business with clients over dinner at Palazzo, too.
They were definitely on the list for tonight’s party, while I filled the “And Guest”
slot on their invitations.
“You know those guys he’s screaming at, right?” Joe whispered to me. “They’re the
hot florists of the moment, Colkett and Colkett. No one knows if they’re brothers,
cousins, or if they’re a couple. Very talented. They use lots of fruits and vegetables
in their work. Remember when Holly used them for her Non-Valentine Valentine’s