trying to do? Speak up!â
âI was trying to make a poem.â
âA what?â
âA poem.â
My father now looked puzzled, but over his head his father was still stern. âHow old are you, Amen?â
âSix, Papa.â
âCan you read?â
âYes, Papa.â
âCan you write?â
âYes.â
âWhat was the poem?â
âIt wasnât very long.â
âGood, there are enough long poems. Letâs hear it.â
I said my poem.
âGo on. Whatâs the next line.â
âThatâs the whole poem.â
âIt doesnât rhyme, Amen. A poem ought to rhyme.â My father began to recite his favorite poem.
âHe clasps the crag with crooked hands;
Close to the sun in lonely lands,
Ringâd with the azure world, he stands.
The wrinkled sea beneath him crawls:
He watches from his mountain walls,
And like a thunderbolt he falls.â
âTennyson was writing about an eagle.â
âI know.â
âThatâs my idea of a poem.â
âMine too.â
He sighed. âCome here.â
He took me on his lap. âMaybe a poem doesnât have to rhyme. Iâm no expert.â His long fingers gestured over his desk. âSo you were trying to write down your poem.â
âYes, Papa.â
âThat makes sense. Would you like some help?â
âYes, Papa.â
Papa took a clean sheet of paper. He took my hand in his. We picked up the pen. We dipped the pen in ink. We wrote my poem.
A poem is
a garden of words.
âWeâll put your name down at the bottom.â We did that.
Amen McBee
Papa handed me the poem and took out his pocket watch. This was always his signal that the interview was over.
Grandmamaâs story was over too. She laughed in a kind way at the thought of my poem.
âHow long ago was that, Amen? I lose track of time.â
âTwo years. Iâm eight now.â
âAnd do you still have the poem?â
âYes.â
âWell, you must show it to me. Iâd like to see it. And do you remember what I called you?â
âI could never forget that, Grandmama. It was the nicest thing anyone ever said to me.â
âWhat was it?â Augusta asked.
Grandmama said, âI called her my little wordsmith. You know, like a goldsmith works with gold and a locksmith works with locks. My little wordsmith.â
chapter nine
I Shall Meet Thee Once More
âI know I shall meet thee once more Albeit at Heavenâs great door.â
Â
My sisters Abigail and Augusta were singing for Grandmama. It was Sunday evening. Normally we were not allowed to have music on Sunday, but Grandmama had begged for the rules to be relaxed, âjust this once.â
âWith a smile on my face
Iâll accept thy embrace,
And weâll walk arm in arm as before.â
The Bellas and I sat on the horsehair sofa. I was trying not to slide off as I seemed to do on real horses.
This particular song had been written by and was at the request of Aunt Pauline. She stood behind the piano, her hand on a brooch at her neck. This pin contained the hair of a man Aunt Pauline had loved and who had died during the war. A lock of his hair was twisted with a lock of hers, and it was all she had left of Frederick.
Augusta had told me that while Frederick had died âduring the war,â he had died of chicken pox. I was never, never to mention this, especially not to the twins, who would probably cackle like chickens every time his name was mentioned.
My sisters started on the chorus.
âOnce more, just once more
May we meet on that heavenly shore.
Once more, just once more
May we walk arm in arm as before.â
One of the Bellas was amusing the other by tugging the top of her hair and mouthing, âEâEâE.â
Suddenly the Bellas gasped. They did this exactly together, and I looked from one to the other. Their eyes were turned to the