quite a while now.â She stands up straighter, nervous. I swear, sheâs like me on the first day of school or something. Ninyassa spends a long time looking at my motherâs boobs and lip gloss. Then she glares.
âOkay, well, youâll need to come over here.â Ninyassa walks over to the check-in counter too fast for us to follow behind. When we catch up she already has two blank rose-colored name tags out. She looks at me. âI donât believe you had decided which name you were using?â And she smiles.
âUh, just Tessa.â My mom looks at me like I shouldâve answered something else, but what was I going to say? Thatâs the only name I have.
Ninyassaâs eyes flick over to my mom. âAnd you?â
âMy name is Sarah,â my mom tells her. âI mean, thatâs the name I was given by my parents. But it might be changing soon.â She says it like thereâs a wink in it somewhere. Ninyassa just blinks. The thick knit ribs of her magenta cotton sweater move up and down with her breath.
âOkay, so Sarah. Come on over here and Iâll take your photos.â
I always loved Polaroids, the way you wave them in the air and gradually a picture is revealed that looks exactly like the room youâre standing in, so you get to be inside the moment that youâre in and look at that moment at the very same time. I donât so much love this Polaroid, though, because I have a double chin in it.
I donât normally have a double chin. Itâs just the way I was spazzy fake-smiling so my face scrunched into my neck. Normally my chin is fine. My whole face is fine: thereâs nothing wrong with it, except that thereâs nothing really right with it either. Itâs just there. Bluish-gray eyes, pale brown freckles, and dark brown hair, straight down to my shoulders. The hair used to be long, back when my mom got to decide. It got tangled and heavy and fell in my face, but when Iâd complain, my mom would just say, âCâmere,â settle in with the brush and start French braiding, tie it up in Princess Leia knots. We matched; sheâd shake her hair and laugh and Iâd copy her. When I was twelve I cut off my braid. After that I let it grow some, and since then itâs been one length, blunt at my shoulders. My mom still tries to play with it, tie it back with silk and paisley scarves, but I donât let her. She can be beautiful enough for both of us.
Of course my mom looks gorgeous in her Polaroid, just like in real lifeâhigh cheekbones and white teeth that gleam, eyes warm and dark like molasses. Her long silver earrings nestle in her wavy hair. Ninyassa glares again. And then she says, âWonderful,â in her weird warm voice, and glues the Polaroids to our name tags, right next to the pink swans.
The weight of the milk crates bites down on my fingers; I know theyâll leave nasty red marks when I finally put them down. This is our fifth trip up the stairs. I canât wait to get inside my room and shut the door and secretly start a letter to my dad.
The last few steps, Iâm almost panting and I stink. This is the worst part of moving, when youâve traveled all the way somewhere and all you want to do is stop, sit down, finally land, and instead you have to carry a thousand pounds of boxes until youâre so tired you can barely even walk. Iâve done it a zillion times; I know. When we get to the top my mom hands me the keys. âHere,â she says. âJust put that stuff inside; Iâll get the last load.â I wait till she turns before I open the door.
I donât know what I expected the room to look like, exactly. A lot of places weâve lived have been small;in Big Sur we didnât even have walls, only tents. But I always had a place where I could close the door. Or the tent flap.
But here itâs just one room for both of us, on one side a queen bed, a twin