abnegation:
it will be needed no longer,
the light being so much stronger.
Get out of town
Get out of town
Get out of town
And don’t let nobody
turn you around.
Nobody will: for they see, too,
how the hand of the Lord has been laid on you.
Ride on!
Let the drivers stare
and the camel’s farts define the air.
Ride on!
Don’t be deterred, man,
for the crown ain’t given to the also-ran.
Oh, Saul,
how does it feel to be Paul?
Sometimes I wonder about that night.
One does not always walk in light.
My light is darkness
and in my darkness moves, forever,
the dream or the hope or the fear of sight.
Ride on!
This hand, sometimes, at the midnight hour,
yearning for land, strokes a growing power,
true believer!
Will he come again?
When will my Lord send my roots rain?
Will he hear my prayer?
Oh, man, don’t fight it
Will he clothe my grief?
Man, talk about it
That night, that light
Baby, now you coming.
I will be uncovered, on that morning,
And I’ll be there.
No tongue can stammer
nor hammer ring
no leaf bear witness
to how bright is the light
of the unchained night
which delivered
Saul
to Paul.
A lady like landscapes
(for Simone Signoret)
A lady like landscapes,
wearing time like an amusing shawl
thrown over her shoulders
by a friend at the bazaar:
Every once in a while she turns in it
just like a little girl,
this way and that way:
Regarde.
Ça n’était pas donné bien sûr
mais c’est quand même beau, non?
Oui, Oui.
Et toi aussi.
Ou plutôt belle
since you are a lady.
It is impossible to tell
how beautiful, how real, unanswerable,
becomes your landscape as you move in it,
how beautiful the shawl.
Guilt, Desire and Love
At the dark street corner
where Guilt and Desire
are attempting to stare
each other down
(presently, one of them
will light a cigarette
and glance in the direction
of the abandoned warehouse)
Love came slouching along,
an exploded silence
standing a little apart
but visible anyway
in the yellow, silent, steaming light,
while Guilt and Desire wrangled,
trying not to be overheard
by this trespasser.
Each time Desire looked towards Love,
hoping to find a witness,
Guilt shouted louder
and shook them hips
and the fire of the cigarette
threatened to bum the warehouse down.
Desire actually started across the street,
time after time,
to hear what Love might have to say,
but Guilt flagged down a truckload
of other people
and knelt down in the middle of the street
and, while the truckload of other people
looked away, and swore that they
didn’t see nothing
and couldn’t testify nohow,
and Love moved out of sight,
Guilt accomplished upon the standing body
of Desire
the momentary, inflammatory soothing
which seals their union
(for ever?)
and creates a mighty traffic problem.
Death is easy
(for Jefe)
1
Death is easy.
One is compelled to understand
that moment
which, anyway, occurs
over and over and over.
Lord,
sitting here now,
with my boy with a toothache
in the bed yonder,
asleep, I hope,
and me, awake,
so far away,
cursing the toothache,
cursing myself,
cursing the fence
of pain.
2
Pain is not easy;
reduces one to
toothaches
which may or may not
be real,
but which are real
enough
to make one sleep,
or wake,
or decide
that death is easy.
3
It is dreadful to be
so violently dispersed.
To dare hope for nothing,
and yet dare to hope.
To know that hoping
and not hoping
are both criminal endeavours,
and, yet, to play one’s cards.
4
If
I could tell you
anything about myself:
if I knew something
useful – :
if I could ride,
master,
the storm of the unknown
me,
well, then, I could prevent
the panic of toothaches
If I knew
something,
if I could recover
something,
well, then,
I could kiss the toothache
away,
and be with my lover,
who doesn’t, after all,
like toothaches.
5
Death is easy
when,
if,
love dies.
Anguish is the no-man’s-land
focused in the