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student shifted his position. He was short and dark, a gold ring catching the sun as he unslung his camera, opening it and checking the setting. Like his clothes, the camera was an expensive one.
    There were plenty of tourists about, but they all seemed to be at the bows of the ship or gathered around the entrance amidships, so that at the moment when she locked her car and started walking towards us the student and I were the only people standing at the stern of the Cutty Sark .
    She moved slowly, stuffing the folder back into the bulging briefcase. Her manner seemed abstracted, as though her mind was far away and she saw nothing of the beauty of the morning or of the tea clipper’s masts towering against the blue sky. She was of medium height, not beautiful, but striking because of the firm jut of her jaw and the curve of her nose. It was a strong face, her cheekbones sharply etched in the morning light, the forehead broad, and the eyes, which caught mine for a moment as she approached, were brightly intelligent under straight black brows.
    She was then only a few yards away and the student had his camera to his eye. I heard the click of it as he took a picture of her. She must have heard it, too, for she checked, a momentary hesitation, her eyes widening in a sudden shock of recognition. But there was something more than recognition, something that seemed to leave her face frozen, as though with horror, and behind the horror there was a sort of strange excitement.
    It was a fleeting expression, but even so my recollection of it remains very vivid. She recovered herself almost immediately and walked on, passing quite close to me. Again our eyes met, and I thought she hesitated, as though about to speak to me. But then she was moving away, looking down at the heavy watch on her wrist, which was of the kind that divers wear. She was stockier than I had first realised, quite a powerful-looking young woman with a swing to her hips and strong calf muscles below the dark blue skirt. At the entrance to the ship she had to wait for a group of school children, her head thrown back to gaze up now at the Cutty Sark ’s masts. Then, just before she disappeared into the hull, she half paused, her head turned briefly in my direction. But whether she was looking at me or at the student I couldn’t be sure.
    He had his camera slung over his shoulder again and had turned as though to follow her. But then he hesitated, realising I think that it would be too obvious. I was standing right in his path, and now that I could see his face, I understood something of what had perhaps affected her so strongly. It was a very beautiful face. That was my overriding impression. A bronzed face under a sleek black head of hair that beneath the beauty of its regular features was touched with cruelty.
    It was only a few seconds that we stood facing each other, but it seemed longer. I nearly spoke to him, but then I thought perhaps he didn’t speak English. He looked so very foreign, the eyes dark and hostile. Instead, I turned away, walking quickly the length of the dock. I would give it another five minutes before going on board. As I reached the bows the student was crossing the entrance gangway. He glanced quickly in my direction, then disappeared into the hull, and my mind went back then to the meeting ahead, wondering again what would come of it. That note from Wellington, the reference to a ship that was of great interest to the National Maritime, and that bit about the circumstances being intriguing. What circumstances?
    As I passed under the bowsprit and the maiden with the outstretched hand and flying hair, a car came through the barrier and parked against the Naval College railings. Three men got out of it, all of them dressed in dark suits, and one of them was Victor Wellington. They were talking earnestly amongst themselves as they made their way quickly across to the ship and up the gangway to the quarterdeck. They stood there for