Is That a Fish in Your Ear? Read Online Free

Is That a Fish in Your Ear?
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Marcel Mauss, who set off to the jungle of Sumatra to establish contact with the Anadalams. After a debilitating journey through tropical forests, Appenzzell finally encounters the tribe. They say nothing. He leaves out what he believes to be traditional gifts and falls asleep. When he awakes, the Anadalams have disappeared. They have left his gifts, upended their huts, and walked away. He tracks them through the jungle, catches up with them, and repeats his procedure, believing it to be the right way to establish communication with these “precontact” people. But the result is the same. They leave. And so it goes on, week after terrible week, until the ethnographer grasps that the Anadalams do not want to engage in communication with him, or with anybody else. That is indeed their privilege. A people may choose autarchy in place of contact. Who are we to say that is wrong?
    However, in Perec’s telling of this story, the Anadalams exemplify not only pride and self-sufficiency but also linguistic and cultural entropy. They possess a few metal tools they are nolonger capable of fabricating themselves, suggesting they are dropouts from a more developed civilization. Their language also appears to have had a large part of its vocabulary cut away:

    One consequence of this … was that the same word came to refer to an ever-increasing number of objects. Thus the Malay word for “hunting,” Pekee , meant indifferently to hunt, to walk, to carry, spear, gazelle, antelope, peccary, my’am —a type of very hot spice used in meat dishes—as well as forest, tomorrow, dawn, etc. Similarly, sinuya , a word which Appenzzell put alongside the Malay usi , “banana,” and nuya , “coconut,” meant to eat, meal, soup, gourd, spatula, plait, evening, house, pot, fire, silex (the Anadalams made fire by rubbing two flints), fibula, comb, hair, hoja’ (a hair-dye made from coconut milk mixed with various soils and plants), etc.
     

    The reader can of course jump straight from this description of lexical entropy to the almost moral conviction that isolation is bad, for it leads (as the story shows) to the impoverishment and death of a language and the culture it supports, and ultimately to the extinction of a whole people. But Perec catches such sentimentality on the hop:

    Of all the characteristics of the Anadalams, these linguistic habits are the best known, because Appenzzell described them in detail in a long letter to the Swedish philologist Hambo Taskerson … He pointed out in an aside that these characteristics could perfectly well apply to a Western carpenter using tools with precise names—gauge, tonguing plane, moulding plane, jointer, mortise, jack plane, rabbet, etc.—but asking his apprentice to pass them to him by saying just “Gimme the thingummy.” 10
     

    Perec’s tight-lipped carpenter may serve as a warning for people who too loudly lament the loss of language proficiency among (for example) today’s teenagers and students. The carpenter’s skill as a carpenter is unaffected by the form of words he uses to go about his trade, because there is no relationship of cause and effect between linguistic entropy and cultural riches of most other kinds. The loss of a vocabulary, or its replacement by a less refined one, has no generalized impact on what people can do.
    It would similarly be unwise to think that isolation causes languages to wither and die. Indeed, isolation may be the most fertile ground for the diversification and enrichment of forms of speech—the innumerable distinctive jargons created by clannish teenagers in every culture provide a good example of that.
    Indeed, there are many richly rewarding activities we perform in contact with others, including others who speak different languages, that don’t need any words at all.
    My father once took a trip to Portugal. On unpacking his suitcase he realized he had forgotten to bring his bedroom slippers. He went out, found a shoe shop, selected the
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