this long for me to understand
that they are eating). Two flap
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their wings without leaving their branches and
I am tired
of paying attention. The birds are all the same
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to me. It’s too warm to stay still in the sun, leaning
over this wood fence to try to get a better look
into the branches. Why
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do the pigeons gather in this tree
or that one, why leave one for another
in this moment or that one, why do I miss you
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now, but not now,
my old idea of you, the feeling for you I lost
and remade so many times until it was
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something else, as strange as your touch
was familiar. Why not look up
at high white Alps or down at the
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untrumpeted shadows bronzing the water
or wonder why an almost lavender smoke
hovers over that particular orange villa
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on the far shoreline or if I am
capable of loving you better
or at all from this distance.
The Cathars Etc.
loved the spirit most
so to remind them of the ways of the flesh,
those of the old god
took one hundred prisoners and cut off
each nose
each pair of lips
and scooped out each eye
until just one eye on one man was left
to lead them home.
People did that, I say to myself,
a human hand lopping at a man’s nose
over and over with a dull blade
that could not then slice
the lips clean
but like an old can opener, pushed
into skin, sawed
the soft edges, working each lip
slowly off as
both men heavily, intimately
breathed.
My brave believer, in my private re-enactments,
you are one of them.
I pick up in the aftermath where you’re being led
by rope
by the one with the one good eye.
I’m one of the women at the edge of the hill
watching you stagger magnificently,
unsteadily back.
All your faces are tender with holes
starting to darken and scab
and I don’t understand how you could
believe in anything that much
that is not me.
The man with the eye pulls you
forward. You’re in the square now.
The women are hysterical,
the men are making terrible sounds
from unclosable mouths.
And I don’t know if I can do it, if I can touch
a lipless face that might
lean down, instinctively,
to try to kiss me.
White rays are falling through the clouds.
You are holding that imbecile rope.
You are waiting to be claimed.
What do I love more than this
image of myself?
There I am in the square walking toward you
calling you out by name.
To You Again
Again this morning my eyes woke up too close
to your eyes,
their almost green orbs
too heavy-lidded to really look back.
To wake up next to you
is ordinary. I do not even need to look at you
to see you.
But I do look. So when you come to me
in your opulent sadness, I see
you do not want me
to unbutton you
so I cannot do the one thing
I can do.
Now it is almost one a.m. I am still at my desk
and you are upstairs at your desk a staircase
away from me. Already it is years
of you a staircase
away from me. To be near you
and not near you
is ordinary.
You
are ordinary.
Still, how many afternoons have I spent
peeling blue paint from
our porch steps, peering above
hedgerows, the few parked cars for the first
glimpse of you. How many hours under
the overgrown, pink camillas, thinking
the color was wrong for you, thinking
you’d appear
after my next
blink.
Soon you’ll come down the stairs
to tell me something. And I’ll say,
okay. Okay. I’ll say it
like that, say it just like
that, I’ll go on being
your never-enough.
It’s not the best in you
I long for. It’s when you’re noteless,
numb at the ends of my fingers, all is
all. I say it is.
Annunciation: Eve to Ave
The wings behind the man I never saw.
But often, afterward, I dreamed his lips,
remembered the slight angle of his hips,
his feet among the tulips and the straw.
I liked the way his voice deepened as he called.
As for the words, I liked the showmanship
with which he spoke them. Behind him, distant ships
went still; the water was