scavenger, pocked hide, warty
muzzle, one hip lower than the other,
she came to him by mistake (sent
by the Mistake Maker) straight
from the African plains
in a crate marked
The Unsightly.
Cur-crone, she knows everything
about following lions, those regal
rumps, at a distance. She knows
about cowering, circling and circling,
the dart-in, the rip, and the snatch.
Snarling, ears back, half charging,
sheâs put to rout, in her time,
many worrisome vultures
and carrion crows.
By the neat nip of her teeth,
sheâs pulled fetid strings
of maggot-infested flesh
from abandoned hides;
once existed for a month
on the putrid marrow
from a wild boarâs corpse.
Sheâs lived in even leaner
times, leaping and munching
on lizards, grasshoppers,
and grubs.
Her eyes have seen the evening
sun setting on the Serengeti
from inside the boney cavern
of a fallen wildebeest.
Sheâs called with others
beside a kill, yelped, howled
for murderâs sake in chorus
all night long on the starless
grass sky of the savannah.
Forager, tenacious scrounger,
scarred, crippled
by the hooves of kicking
gazelles, she knows
better than anyone else
what kind of god it was
who left the pure white bone
of the moon picked so clean.
With scab worms and billy-club knots
on her rear, sheâs hereâThief, Felon,
Mongrel Messiahâbeside the blind
beggar for good.
And now when his sustaining
visions of bonfires over water
come only dimly and rarely
when his fingertips harden, tough
and numb as leather and his beseeching
talents fail, when all sighted
angels face in the opposite
direction and there is no one
in that dark and frightening
paucity who sees
that he does not see,
then with his hand on her head,
she can lead him down these alleys
in the way he has to go.
LESS THAN A WHISPER POEM
no sound above a nod,
nothing louder than one wilted
thread of sunflower gold dropping
to a lower leaf
nothing more jarring
than the transparent slide of a raindrop
slicking down the furrow of a mossy
trunk
slightly less audible than the dip
and rock of a kite string lost and snagged
on a limb of oak
no message
more profound than December edging
stiffly through the ice-blue branches
of the solstice
nothing more riotous
than a cold lump of toad watching
like a stone for a wing of diaphanous
light to pass,
as still as a possumâs feint
no message more profane than
three straws of frost-covered grass leaning
together on an empty dune
a quiet more
silent than a locked sacristy at midnight,
more vacant than the void of a secret
rune lost at sea
no sound, not even
a sigh the width of one scale of a white
mothâs wing, not even a hush the length
of a candleâs blink
nothing,
even less than an imagined finger held
to imagined lips
IN THE SILENCE FOLLOWING
After a freight train lumbers by,
hissing steam and grumbling curses,
metal screeching against metal, it passes
into the night (which is the empty
shadow of the earth), becoming soft
clinking spurs, a breathy whistle, low
bells clanking like tangled chains,
disappearing as if on lambskin wheels.
Something lingers then in the silence,
a reality I canât name. It remains as near
to a ghost as the thought of a ghost
can be, hovering like a dry leaf spirit
motionless in a hardwood forest absent
of wind, inexplicably heraldic. It is closest
to the cry of a word I should know
by never having heard it.
What hesitates in that silence possesses
the same shape as the moment coming
just after the lamp is extinguished
but before the patterned moonlight
on the rug and the window-squares
of moonlight on the wall opposite
become evident. That shift of light
and apprehension is a form I should know
by having so readily recognized it.
After the yelping dog is chastened
and a door slams shut on the winter evening
filled with snow and its illuminations,
someone standing outside in the