and relinquishes all.
This text seems right for a rushing
river full of gullets and bones, for its multiple
voices ring also with lies and devotions
that pitch and fall and swallow one another,
constantly present, suddenly lost,
all inseparable.
COURTING WITH FINESSE, MY DOUBLE ORANGE POPPY
I know I said I loved you,
but I was drunk at the time
on citrus ice and marmalade.
I know I caressed the open places
where your petals join together
at the stem, but you just happened
to lean my way in the breeze,
into my hands already cupped
and blossom-shaped.
Maybe it seemed to you I reflected
the color of your grace in my eyes,
but it was evening, remember, the sun
sinking, and I was looking west.
And perhaps I did sing to you
of unfolding fringed petals
delicately crumpled first in the bud,
but it was really the unwinding
orange nub of the early evening
moon that I described with such rapture.
And if I did whisper to you once
of damp stamens, mesmerizing leaves
deeply lobed, spicy oil pockets
of seeds, those were merely facts,
a dull litany I recited in my sleep.
I donât know how you could think
I came of my own accord to lie
beside you all night in your sway.
I was only your imagination.
Donât ever believe I wrote these words
for you:
In those tangled, moist woods
and thickets where I live, there grows
native and rooted deep in the desire
I myself invent, a divinely aloof,
double orange glory.
ROMANCE
In love with the body, especially when
it dances in love with its own dance as it toes
and taps . . . flickers, creepers, chickadees
around a tree trunk, a click beetle in a flipping
somersault, the soft-shoe swish and sway
of the chee and feather grasses, the lissom uvas;
in love with the melding of the body,
especially when it languishes in the surf
of its own sleep . . . the belly slump of a leopard
stretched high on a branch, camouflaged,
leaf and fur, the tight sleep of a tumblebug egg
in its buried pod of dung, the man in a backyard
hammock slowly rocking with the slowly
rolling sun through evening shadows;
(so floats the sea otter on its back, bobbing
with the rocking sea, so bobs the gelatinous
umbrella and stinging strings of the jellyfish,
jelly and sting being the design and event
of the seaâs own rolling body)
especially when the perfumes of a vigorous
body rocking, sleeping in the sunâs evening
rest are of the salt of the sea, his body itself
being the salt of the earth, in love
with my mouth when the salt is tasted;
no ardor surpasses a body on the hunt,
halting abruptly, one foot lifted above the snow,
poised, as intent as frozen air, eyes as pure
and sharp as ice, then the boltâthe élancéâ
beat and soul wholly in pursuitâthe sailâ
supreme the contactâmost foreign, most
familiar, on the far edge of the horizon.
ROCKING AND RESURRECTION
Some people, injured or frightened, rock
all day long holding their knees to their chins,
on sofas and wooden benches, in beds,
on bare floors, rocking as if they believed
they were trained riders on pearl stallions,
or golden-seeded stem-swingers in autumn
fields, or, with their eyes closed, believed
they were flowing purple flags in a sun-
warmed wind, convinced and comforted
by their own rocking.
Mary rocked a grown man dead in her arms,
and Lear swayed with Cordelia-gone held
close to his heart. Did they believe this old
motion performed long enough might
bring breath back? Or did they rock to ease
the loved, lapsing body into the earth?
Or did they rock to give their spines
and breasts a healing expression of grief?
Lullabies, cradles, rocking chairs, hammocks,
long rope swingsâa need of the body seems
calmed by this motion of surge and release.
Thereâs someone I want to take into my arms
tonight and rock, his head on my shoulder,
his lips at my throat. I want to move with him
easily, as moonlight rolls and