heâd vented. Except that she hadnât heard the alarm â¦
â⦠witnessed something â¦â
Dulcie looked up, unaware that Rogovoy was still speaking. âExcuse me? Detective?â
âI said, if you had witnessed something â a dispute, or anything â that would be useful.â
âOh, well, I donât know.â Suddenly, Dulcie felt rather silly.
âOr heard something.â
âWell, I did hear
something.
â She really wasnât the type who could lie. Only now Detective Rogovoy was looking at her. Waiting. And so, she started to explain. âOnly I donât know exactly what, well, as we would say in Literature and Language, what exactly it signified.â
Rogovoy cleared his throat. Dulcie had the feeling he wasnât into literary theory and tried again. âI know I shouldnât be walking into the Square around midnight on a week night.â
âNo, you shouldnât,â he interrupted.
âChris always tells me to take a cab. But Iâd left these papers I had to grade â¦â He was being very patient, but Dulcie realized she was going into much more detail than necessary. And so she tried to sum everything up. âAnd then when I was out on the street, everything seemed very quiet and I heard something howl. I mean, it must have been a dog, but I swear it sounded like a wolf.â
Rogovoy raised his eyebrows.
âI grew up in the forest, Detective.â Dulcie was beginning to feel defensive. Her accidental use of synecdoche didnât help. âI mean, in a small arts colony located in a forest. I know what wolves sound like.â He motioned for her to continue.
âI know it doesnât make sense, but thatâs what it sounded like to me. And then I saw a man, and I thought it was my thesis adviser â Martin Thorpe â but he looked all strange and wild. His hair was messed up. And, well, today he basically denied seeing me on the street. It was dark and all. But not that dark. I mean, the moon was outââ
âMartin Thorpe? He works at the university?â
Dulcie nodded. âHeâs the head of English and American Literature and Language. The acting head. The director, I mean.â
Rogovoy opened a drawer Dulcie hadnât seen and pulled out a pad. âAnd you saw him on the street around when? Midnight?â
She nodded. âBut I thought you said it was a domestic?â
He shrugged, the big shoulders threatening to start an avalanche as he wrote down Thorpeâs name and title. âSometimes in a domestic, thereâs a third-party involved. Another man.â
âOh, no, I donât think â¦â Dulcie stopped herself. She really didnât know anything about Martin Thorpeâs private life. If heâd been seeing a married woman or even a woman in a serious relationship, he could be involved in whatever had happened to her. He could also find out that she had informed the police.
âAre you going to talk to him?â This would not endear her to her thesis adviser. âMaybe you can talk to the woman first? Maybe she doesnât even know him, and it was a totally unrelated attack.â
Rogovoy looked down at his pad. âI wasnât completely honest with you, Ms. Schwartz, and I should be.â
She waited.
âThe victim? She was taken to emergency services this morning, when she was found, and last I heard, sheâs in critical condition. But the doctors arenât what youâd call optimistic about her recovery. And even if she makes it, the blood loss and the extent of her injuries ⦠She was stabbed, repeatedly, in the throat. It takes a lot of anger to do something like that.â
So thatâs why Trista had heard it looked like an animal attack. Still, something wasnât right here. âDetective?â Dulcie heard how soft her voice had gotten. She cleared her throat and tried again, louder.