thread of moustache and he licks his lip. âHe could get his ass kicked back to Mexico with shit like that.â
Smokey lifts a finger from his glass to catch Natiâs attention. âIâll show you something later, LyDell. Some of Martin Sheenâs work.â
âIâll take a look at his shit now if they got it in Bloomingdaleâs,â Nati says with an expansive gesture that forgets the credit card, says all this is his.
At the other counter, Andie coughs, but it starts as a laugh that escapes before she can catch it. Nati glares at her. She reaches into one of his Big Brown Bags, intently rearranging the folded garments. She presses her mouth to her sleeve and gives another small cough, no hint of anything else to it this time.
âProlly shit anyway,â Nati says. âMartin Sheen. Thereâs a lot of shit in here. Too many old Italian faggots gettinâ it all wrong thisseason. Not just them. Anita Clark. I was very disappointed there. I didnât say that at the time.â
Itâs a monologue. Weâre not expected to buy in. Somewhere among the discard piles on the furniture around us is the work of Anita Clark, rejected before I arrived.
âSold too much shit to the Obamas,â he says. âThatâs what it is. I know where she was from, but she done lost it now, what she had. She all dried up inside. She all Hamptons now. Next year sheâll do goddamn boat shoes. She whiter than Ralph Lauren now.â
âThis drink is good, LyDell,â Smokey says, tapping a fingernail against his glass. âWe could sit and enjoy our drinks while we wait for Aaron.â
Nati brings the glare up again, but stays silent as he works it through.
âIâm gonna sit when I want to sit,â is what he decides to say. He drinks another mouthful. âButthis is good, yeah. You did good with thisâ¦â He takes a lookâitâs not as sly as itâs supposed to beâat her name tag. âEloise. Some people go to town with the kale.â
She almost says something, but sticks with smiling and nodding. Itâs the first part of a silence that builds to awkwardness. Nati sips his drink again.
Smokey touches my sleeve with his phone hand. âYou got kids, right?â
I have a wedding ring, Iâm forty and look it. I donât know if heâs guessing or if Iâve told him. He doesnât wait for an answer. He has an ultrasound image on his phone and heâs angling it my way. Itâs a foetus, the bright outlines of one in its dark uterine world, a finely etched nose and mouth and perfect tiny fingers stretching to the limits of their span.
âMy ladyâs in labour,â he says. âJust the early part, but I want to get over there.â
The best minders are conjurers, guiding the eye to the other hand, away from tantrums, embarrassment, slander, hubris.
âI think we might pick this up later.â I turn off my recorder and put it in my pocket. âWhen itâs just the three of us.â
âYeah. Perfect.â He flicks to another image, spreads his fingertips and enlarges his tiny child.
âI have a four-year-old daughter,â I tell him. âSheâs asleep at the Beacon Hotel right now, on Broadway and 75th. At least, I hope sheâs asleep.â
âMy son is four. How about that?â He seems genuinely pleased to say it, to make this connection, but it might just be shrewd preparation for a protracted pout from Nati Boi.
The transaction isnât over and Nati is looking glumly down into his drink, coaching himself through this diversion from his Bloomingdaleâs dream. Andie is standing mannequin-style at the counter, perhaps wondering how to turn grey.Somewhere in the distance, thereâs a one-sided conversation I can just work out is in Spanish, a cleaner talking on his phone.
âThereâs some good shit in this city for kids,â Smokey says, warming