Carmela, Babcock looked wonderful. His pale blue shirt matched a tie of a slightly deeper tone that picked up the intensity and color of his eyes.
An Armani tie? Carmela wondered, as her heart did a small flip-flop. Had to be. Only the best for Babcock, always the most stylish duds. She knew that, someday,
GQ
magazine was going to do a feature on the ten best-dressed detectives in the country and Babcock was probably going to top the list. Then she wonderedâhow on earth could she be turned on by Babcock and completely repulsed by Joubertâs murder at the same time? Those were two emotions that didnât seem to coexist, yet there they were. All intertwined and smooshed together in her slightly addled, hyperactive brain. Go figure.
âSo,â said Babcock. He rocked back on his heels when he caught sight of Carmela and Ava on the front sidewalk. âWe seem to have a rather large problem here.â
âIâll say,â said Ava, who loved to be in on the action. Any kind. Even police action.
Babcock gestured toward the front door of Oddities. âIs it unlocked?â
âYes,â Carmela said in a small voice. âThatâs how I left it.â
Especially
since I
came flying out of there like a crazed banshee.
Carmela wished that Babcock would look at her, really
see
her, instead of holding her at armâs length, treating her like some sort of suspect or witness. On the other hand, thatâs probably what she was.
Babcock cocked a finger at one of the uniformed officers. âLambert, you come inside with me. Wallace, stay by the door. Donât let anybody else in.â
âCrime-scene guys are here,â said Wallace, as a shiny black van pulled up tight to the curb.
âSend them in,â said Babcock. âAs soon as they unload their gear.â He sighed as he led his little group into Oddities, and then stopped short when he saw the body. He held up a hand, indicating for them all to wait. Then he stepped forward, took a cursory look at the very dead Marcus Joubert, and said, âCarmela, youâre going to have to walk us through this.â
âW HAT happened was . . .â Carmela began. She was ready to let it all come bubbling out. The terror, her jangled nerves, her fear that Joubertâs dead body might come stumbling after her.
But Babcock held up a finger. âLetâs wait a second for the crime-scene guys.â He glanced around. âArenât there any decent lights in this place? Where are the lights, anyway?â
âItâs like a tomb in here,â said Ava, which caused Carmela to flinch.
Officer Lambert scurried around, finally locating switches and flipping on several overhead lights.
âOh man,â said Ava, as Joubertâs dead body was revealed in the now harsh light. âThatâs just . . . rude.â
âYou really shouldnât be in here,â said Babcock. He shook his head. âWhy is she in here?â
Nobody offered an answer until Carmela finally said, âI need Ava for moral support.â
âRight,â said Ava, giving a slow wink. âI gotta keep watch on her morals.â
âExcuse me, excuse me,â a youthful voice called out. âComing through.â
It was the crime-scene team, a flying wedge of three men all wearing dark blue jumpsuits and carrying black leather cases along with a clanking gurney.
âCharlie,â said Babcock, nodding at the young man at the head of the group. Charlie Preston was the crime-scene teamâs young wunderkind. A smart, persistent technician who considered every case he handled a personal challenge.
âHey, Charlie,â said Ava. The two had met before and she was well aware of this young manâs interest in her.
Charlie looked around, surprised, and then grinned impishly at her. âAva. What are
you
doing here?â
âAnother day, another murder,â Ava quipped.
âCan we