someone looking for Fiona,â Clay said. â
If
they were staking out the house, itâs because they want to find Fiona, dead or alive.â
âSo Fiona might be alive. On the run.â
âLetâs hope so. But if those men werenât staking out the house already, it could mean they followed one of us to Fionaâs house.â
Joslyn thought back to what sheâd had to do to find Fionaâs address. Had her digging around alerted someone that she was after Fiona? But who? What in the world had Fiona gotten into? âDid you have any idea Fiona was in serious trouble like this?â Joslyn asked.
He shook his head slowly. âI hadnât talked to her in years. I didnât even know where sheâd gone after she left Chicago. I tried to find her but then...â
Heâd gone to prison. Joslyn wondered why Fiona hadnât reached out to him, especially when it seemed that he still loved her. Fiona hadnât indicated there had been any bad blood or grudges between them, so why hadnât she wanted to see her brother again?
âI didnât know, either,â Joslyn said. âFiona was just like any other girl when I knew her in Los Angeles, going to classes, hanging out with friends. Except...â She thought back. âShe seemed a little sad sometimes, but I knew her mother had died and she didnât like to talk about her father. I thought she just missed her mom.â
âShe and Mom were close,â Clay said quietly.
âI still canât get over the job she got here in Phoenix. She was qualified for a position that paid so much more.â
âShe must have gotten into some kind of trouble, something that made her need to take a different job than she normally would have.â
âShe didnât have many friends at her workplace, so maybe the answer isnât in her job, but in what she did outside her job.â Which meant that if she did visit the museum here, as she had done in Los Angeles and Chicago, they might find something about what sheâd been involved in. A standard tactic for skip tracers was to find out as much about the person as possible to figure out where theyâd go.
The Kevin Tran Museum of Art and Art History was a beautiful sandstone building that rose out of the desert like a castle, surrounded by artfully arranged rock formations and different types of cacti. As they paid the entrance fee, Joslyn grabbed a pamphlet about becoming a season pass holder or a museum patron.
âIf Iâm right, Fiona would have gotten at least a season pass for the museum. She had a season ticket for one of the museums in Los Angeles that she enjoyed going to. She got invited to private showings and a few art galas.â
âShe had a season pass for one of the museums in Chicago, too,â Clay said. âShe took me to an art opening once. I had to wear a suit.â He grinned, suddenly. âShe told me I looked like a bouncer.â But then something, some memory, made the light dim from his eyes and his smile. Joslyn had to stop herself from asking him what had made him so sad.
She consulted the pamphlet and saw that the patron services department was in charge of handling business with season pass holders. âThis way.â There were signs pointing the way to the patron services office.
They passed through several galleries. Some had ethnic themes, such as one long room with art from several premier Chinese American artists who had first settled in Phoenix at the turn of the century, and another room with huge murals of Native American art. One gallery housed a display of sculptures that looked like they were made from desert rocks of various colors.
âThis is a museum Fiona would love,â Clay said as they crossed a room where Native American woven blankets hung from the walls. âShe always talked about how art can tell you all about different cultures and periods of