âThe business or the residence?ââ
The residence was a mile or two outside the town, easily recognized by the neat white wooden fence that the old man had described and the neat white barns and brick house that sat about fifty yards back from the road. Even in the dusk it was obvious that he had prospered. I drove slowly, trying to take it all in and keep my eyes on the road at the same time. As we passed the gate I happened to glance up the driveway.
He was sitting in a chair in his backyard, silhouetted against the buttermilk sunset. From the way he was sitting, the slope of his bones, I recognized him. âThatâs him!â I said. âIâm going to say something to him!â I turned the car and headed into the driveway.
âWhat are you going to say?â Isabel asked.
âI donât know.â My heart was beating fast. I was almost giddy. I drove up the driveway, into the backyard, and stopped a few feet from his chair. A gray-haired woman was sitting facing him, hidden from the road by a shrub. She looked up, alarmed. I knew then that I couldnât identify myself. She might not know I existed. I got out of the car and walked to my father and stood facing him, my back to her.
He was heavier, a little gray at the temples, but he hadnât really changed. He sat in khakis and white undershirt, barefoot, as he always did. His cheekbones were as high, Indianlike, his eyes as dark and steady through his glasses. He held a chew of tobacco in his cheek and didnât move, only stared into my eyes, never looking away, saying nothing.
âI seem to be lost,â I said. âCan you tell me how to get to the Dallas highway?â
âWhich way you coming from?â he asked. His voice was as steady and dark as his eyes. It hadnât changed.
âFrom Meridian.â
âWell, you missed it. Go back to town. A sign in the square tells you which way. Highway Sixty-seven.â
I made no move to go. We kept staring into each otherâs eyes. He frowned slightly, as if trying to recall something. The woman behind me coughed and shifted in her chair.
âHowâs that again?â I asked.
âHighway Sixty-sevenâs the one you want. Go back to Meridian. Thereâs a sign in the square with an arrow pointing to Sixty-seven. Turn that way. When you get to the highway, turn right. Itâll take you right to Dallas.â He didnât move, didnât gesture.
I waited for him to say more. He didnât. âMuch obliged,â I said. I felt strangely light, as if relieved of some dark, indefinite duty. I turned toward the car.
Isabel was staring through the windshield, wide-eyed. When we were past the gate she asked, âWhat did you say to him?â
âI asked directions to Dallas.â
âThatâs all?â
âI asked him to repeat it.â
âHe knew you. His eyes never left you. It took my breath away.â
âMaybe he thought he ought to know me.â
Isabel touched my arm. âDonât just leave it at that,â she said.
The next morning I wrote to Ted and Pat. âIâm having a special birthday,â I said. And I wrote to him and said, âIâm the man in the red car, and Iâm your eldest son.â
Only Ted and Pat replied.
âMaybe he never got the letter,â Isabel said.
âI donât know,â I said. âDonât worry.â
I remember seeing Audie Murphy on the cover of Life with his Medal of Honor hanging around his neck. The most decorated American soldier of World War II. He looked about twelve years old. As I was growing up, I saw all his movies, I think. Or nearly all. He never seemed to grow older, maybe because he already was old .
The Heroâs Hometown
The young woman at the cash register in Woodyâs store regards the visitor with blank wonderment. âI never heard of him,â she says.
âAudie Murphy. The most decorated