themes from the heart, from the soul, I spun my themes from more lowly quarters and filled my narrative with legs, frogs, with material that was immature and fermenting, and, having set it all apart on the page by style, by voice, by a tone that was cold and self-possessed, I indicated that I wished, herewith, to part ways with those ferments. Why did I, as if thwarting my own purpose, entitle my book Memoirs from the Time of Immaturity? {1} In vain my friends advised me against using such a tide, saying that I should avoid even the slightest allusion to immaturity. "Don't do it," they said, "the concept of immaturity is too drastic, if you think of yourself as immature, who will think of you as mature? Don't you understand that first and foremost you must think of yourself as mature, otherwise—nothing doing?" Yet it just didn't seem appropriate to dismiss, easily and glibly, the sniveling brat within me, I thought that the truly Adult were sufficiently sharp and clear-sighted to see through this, and that anyone incessantly pursued by the brat within had no business appearing in public without the brat. But perhaps I took the serious-minded too seriously and overestimated the maturity of the mature. Memories, memories! My head tucked under my pillow, my legs under the covers, tossing about between fear and laughter, I took stock of my entrance into the adult world. There is too much silence about the personal, inner hurts and injuries inflicted by that entrance, the grave consequences of which remain with us forever. Men of letters, those men who have a God-given talent to write on the subject of such remote and indifferent matters as, for example, the grief in the soul of Emperor Charles II caused by Brunhilde's marriage, shudder at the thought of mentioning the most important issue—their metamorphosis into a public and social being. They prefer, it seems, to have everyone think of them as writers inspired by the grace of God, not man, and to imagine that they have dropped from the sky, talent and all; they are too embarrassed to shed any light on the concessions they had to make as individuals, on the personal defeats they had to endure in order to acquire the right to expound on Brunhilde or, for that matter, on the lives of beekeepers. No, not a word about their own lives—only about the lives of beekeepers. Indeed, having produced twenty books on the lives of beekeepers, one can be immortalized—but what is the connection, where is the bond between the king of beekeepers and the inner man, between the man and the youth, between the youth and the boy, the boy and the child that, after all, he once was, what comfort is the king to the little brat in you? A life unmindful of these bonds, a life that does not evolve in unbroken continuity from one phase to another is like a house that is being built from the top down, and must inevitably end in a schizophrenic split of the inner self.
Memories! Mankind is accursed because our existence on this earth does not tolerate any well-defined and stable hierarchy, everything continually flows, spills over, moves on, everyone must be aware of and be judged by everyone else, and the opinions that the ignorant, dull, and slow-witted hold about us are no less important than the opinions of the bright, the enlightened, the refined. This is because man is profoundly dependent on the reflection of himself in another man's soul, be it even the soul of an idiot. I absolutely disagree with my fellow writers who treat the opinions of the dull-witted with an aristocratic haughtiness and declare: odi profanum vulgus. What a cheap and simplistic way of avoiding reality, what a shoddy escape into specious loftiness! I maintain, on the contrary, that the more dull and narrow-minded they are, the more urgent and compelling are their opinions, just as an ill-fitting shoe hurts us more than a well-fitting one. Oh, those judgments, the bottomless pit of people's judgments and opinions about your