my painted face. His sneaker heel went through my painted canvas mouth. The canvas broke and a hole appeared.
âIdiot!â I grabbed at him and he twisted his foot out, but the sneaker hole was still there. Realising what heâd done, Luke paled. âCanât we use supa-glue or something? Or a band-aid on the back?â He ran his fingers around the jagged hole in the canvas, and tried to make the splintered wood fit back.
âLike first aid for Granâs painting?â I started to laugh and then it changed into crying. âI donât think that will mend anything. Granâs gone. No one else will want my paintingâ¦or that one of Bark. Who would want to look at a dog and a bone on their wall forever? Only Gran really liked Bark.â
I wasnât sure why I was crying. I never liked that painting anyway. I pulled stringy, third-hand tissues from my pocket. Tears leaked through. My nose ran. My eyes dripped everywhere.
âSorry, Zoe,â Luke stood up. He didnât touch me. âYour gran probably thought it was special. Although, up close, the face doesnât look much like you. Maybe we could stick it up in your bedroom at our place? Then no one else would see the hole. Or we could put a patch on it and then paint over the patch.â Luke squinted at the painting. âNo one would know the difference, would they?â
âForget it.â I sniffed, and my nose was still all runny. I felt such a wet mess. Everything was going wrong. And I was the only one left to fix things.
I tried to lift the portrait, but it was too big to balance. âLetâs leave it. Iâll tell the Trustee about this later. Or maybe he wonât notice?â I leaned my portrait against the wall, but Luke flipped the canvas over. âHey, thereâs another painting on the other side.â He stood back and half-closed his eyes the way he imagined experts did. Then he kneeled and squinted at a blob in the corner. âLooks like your family tree with faces on branches, and squiggly initials. Must have taken ages to paint. Easier and quicker to do family trees on a computer program. Are you on here?â
âDunno. First time Iâve seen it.â I peered at the tree painting, which had a few brown branches. âLook.â I pointed.âUp the top, on a little branch. Thereâs my face and a Z.â I looked further down, at the back of Lukeâs sneaker hole. âCanât read whatâs here on the tree trunk.â
I squinted at the bottom name. âItâs been signed
Dagmar
. Why would she sign it with a different name? Artists like to be known for their work, donât they?â
âSure itâs not Magda and the writingâs hard to read?â Luke said quickly.
âMaybe Dagmar was her real name? Or one of them,â I suggested. âNot Magda.â
âSame letters, except for the r. Different order,â said Luke.
That was true. Lukeâs mind was different from some peopleâs. I felt a little curl of excitement. âDead right.â
âGross,â said Luke, just as I realised what Iâd said. So many sayings had âlifeâ or âdeathâ in them. But you couldnât stop using death words just because your gran died. But I could keep wearing my black gear after the funeral. No choice about that.
Where should we start looking? In the sitting room, there was a tape still in the player. Kat bought it for Gran last Christmas to record her favourite docos. Granâs docos, that is, not Mumâs. My mum only likes wildlife programs about birds or icebergs, but Gran was interested in people and history and all that old stuff. Sheâd watch anything about the past. âWhat you call history used to be current affairs for me,â Gran said once.
I hit EJECT. Out slid the black tape. Written down the side, in Lukeâs writing, was
Hungary 1956.
âDid you write this