vagaries of the global economy,
they come upon white shores, ignorant of the inhabitants,
utter brief words, build bridges and sing of ages past.
Their children are small and brown well into adulthood,
when they are bought and sold, dropped from great heights
into enemy territory to become
bleached bones and souvenirs, perhaps
a television documentary, if they are lucky.
The unlucky are soon forgotten.
. . .
After a decade of treading water
he recalls his optimistic youth,
broods on abandoned loves, lost friends, dead-end jobs …
A line of boulders at the front door cannot be shifted.
He must find a new home, dashes out on to the moors,
follows predators and slams doors.
At midnight he sings the blues.
He is continually searching for her on long journeys.
She haunts him everywhere and communicates by shrill,
high-pitched shrieks.
JOAN MIRÃ
MAN AND WOMAN IN FRONT OF A PILE OF EXCREMENT
A turd like a curious
cobra or pagan idol, inwardly
trembling, knows this man and woman
of old. It is watching and waiting to see
if they are going to worship it or
destroy it. It would like to assume an air of
insouciance. We should worship it,
she says. Worship a turd?
Preposterous! says he, waving a tiny
pick-axe hand, his red snake fixing
its one eye on her fingers, aching to be
stroked and choked but
she is too busy holding up the sky.
IT TAKES A MAN
It takes a man in all he might be
heavy twisted rope of consequence
of no consequence
weighed in the balance and found wanting.
Not a man but a twister.
Outside the mob demanding: ‘Who comes?
Who is it now dares speak for us,
for our lives?’
The virtues work
through us. They do not
indwell. They do not
inhere. They are not
in here. There are no
virtuous people
only good acts,
always virtue and its opposite –
the virtues working through us.
It takes a man to unmake
his masculinity, to unmake
the man they made him.
We are come to this. Coming
here in all innocence, willing to hear,
willing to be made and unmade
and taught the virtue of checking
our facts, consistency, avoidance of error,
making a life appear reliable,
a narrative, a story we tell others:
My name is … I live at … I am …
I have … I want to … with you
that they may understand who it is
speaks to them today,
and who they are every day of their lives
until there are no more days.
Someone will come after me and say:
‘This poem was said once, as I am saying it
now,
as others will say of me:
“He breathed – he spoke – he stood
in the garden at midnight and wondered
at the wonder of a mortal brain
coming to consciousness, the cruelty of a mortal brain
coming to consciousness,
the birth and death
of individual consciousness.”’
Living appeals, as you appeal
to me, as I appeal to the gods – those crazy imaginary gods –
as I appeal to the soldiers
beating on my door
The great Emathian conqueror did spare
The house of Pindarus …
But in wartime
Husbands dragged from wives
Sons from mothers.
At Rodez once
the Nazis in retreat
shot thirty maquisards,
smashed in their skulls with stones
to finish it. At Rodez