fondled in their underwear. As they began to undress, screens in the arena went black, leaving the rest to the imagination of the fans. Dawn, despite the tryst, married Al anyway. The two held their ceremony in the ring in their underwear. Al, fans were told afterward, collapsed and died of a heart
attack after marathon sex sessions on their honeymoon. Torrie Wilson then had numerous grudge matches with Dawn, whom she blamed for killing her father. Sordid domestic scenarios, which resonate in a world of broken and troubled homes, are also staples of television talk and reality shows.
The divas in the ring are there to fuel sexual fantasy. They have no intrinsic worth beyond being objects of sexual desire. It is all about their bodies. They engage in sexually provocative âstrap matches,â in which two women are tied together with a long strap. During the bout, combatants use the strap to whip each other, including smacking exposed buttocks. They grab a short length of the strap between their two hands and wrap it around the neck of the opponent to simulate choking. In âevening gown matches,â women wrestle in long evening gowns ripped to expose lacy bras and thongs. Evening gown matches, involving two and sometimes three women, have also been filmed in swimming pools. Such matches frequently result in âaccidentalâ exposure of breasts, which sets crowds roaring in lewd gratification.
Female wrestlers often try to sabotage matches or seduce male wrestlers who oppose allies or members of their clan. In one episode broadcast on the big screens in the arena, a female wrestler named Melina enters the locker room of a wrestler named Batista. The scene has the brevity and stilted dialogue of a porn film. Melina, in a sequined red tank top and micro-miniskirt, stands awkwardly behind the brawny and tattooed Batista, who is seated on the bench, dressed in a tiny bikini brief. Melina self-consciously rubs her palms up and down his expansive pecs. âMy boys, Mercury and Nitro, have a match against the Mexicools, and they could really use this time to prepare. So if you could . . . withdraw yourself from the match tonight?â
âNaw, I donât think so,â rumbles Batista.
âI could really make it worth your while,â whines Melina, straddling one of Batistaâs massive thighs.
âHow you gonna do that?â Batista mutters.
âLet me show you,â Melina pouts. She kisses him, wriggling her shoulders in a caricature of passion. Batista finally figures it out and yanks her down as they kiss, spreading her legs open over his lap. The crowd is heard whooping.
The video cuts to a close-up of Melinaâs black bra strap. She turns around, pulling her tank top down over her bra.
âSo we have a deal, right?â she simpers, blowing her hair out of her face.
âA deal? No, no deal,â Batista chuckles. âThanks for the warm-up, though. I feel great.â He flexes his chest muscles, making them jump. âIâm going to kill those guys.â He cuffs her on the shoulder. âSee you out there.â
âOh, my God,â sniggers the announcer. âDid he say, âThanks for the warm-upâ? What a backfire!â
The camera zooms in on Melinaâs humiliation. âNo, no, nooooo!â she shrieks, clapping her hands to her face, squinting malevolently after Batista.
Fans chant, âSlut! Slut! Slut!â when Melina appears in the arena. Melina, although the temptress in the story, later announces she has filed a lawsuit for sexual harassment against Batista.
In The Republic , Plato imagines human beings chained for the duration of their lives in an underground cave, knowing nothing but darkness. Their gaze is confined to the cave wall, upon which shadows of the world above are thrown. They believe these flickering shadows are reality. If, Plato writes, one of these prisoners is freed and brought into the sunlight, he will