it
do
?â
âWho or what is Tarelton?â
Hank tapped one of the sheets. âEdward TareltonâSouth African or maybe Canadian. Fifty-one or forty-nine. Mystery man.â
âWhat happens when you make enquiries?â
âWhat the client saidâthe run-around. When I made a big enough asshole of myself that someone actually talked to me I asked about McKinley. Hereâs what I got.â
Hank flipped a switch on a console on his desk.
âWe have personnel all over the world and do not discuss their whereabouts or assignments.â
âThatâs an illegal recording,â I said.
Hank shrugged. âThe machine was on, like, accidentally.â
âWho was that?â
âWhatâs that expression you have? No names, no pack drill. Whatâs that mean, anyway?â
âTake too long to explain. Well, we need to get busyâfile a missing persons report with the policeââ
âDid that.â Hank held up a card. âGot a file reference.â
ââand a letter of authorisation from Margaret. Iâll see to that.â
âCliff, youâre not a private eye any longer.â
âNo, Iâm a concerned friend, and I know a couple of cops whoâll vouch for me.â
âAnd a couple of dozen who wonât.â
âItâs who you know, mate. It always has been.â
Thereâs no law against talking to people or accessing public records. There were people whoâd do me favours in return for things Iâd done for them in the past, and others whoâd have been pleased to hear that Iâd dropped dead on Ocean Beach pier. The thing to do was make use of the former and avoid the latter. Itâs not even against the law to use a false name and claim to be something youâre not, unless your intention is to defraud.
Margaret had given me a list of McKinleyâs friends with home and business telephone numbersâthe secretary of the cycling club, Terry Dart, and the owner of a gallery where McKinley had exhibited some drawings, Marion Montifiore.
I had the names on a slip from the notepad that had come with the San Diego apartment. I got it out and was about to reach for the phone on Hankâs desk when I remembered who and what I was. I covered the action byscribbling a meaningless note on the slip of paper before standing up.
âIâm going to follow a few things up, Hank,â I said. âThanks for what youâve done. Iâll make some copies of what you have in the file if thatâs okay, but I probably wonât be bothering you with this.â
âIâm bothered already.â
âCome onâa geologist, cyclist, pen and ink man â¦â
âWorking for a dodgy company.â
âAnything dodgy, youâll hear from me.â
I went home and phoned a supplier to get a new up-to-the-minute Mac computer with all the trimmings delivered by someone who could install it and teach me to fly it. That done, I had a light lunch, a rest as prescribed by the doctors, and then took a long walk around Glebe. My wind was good and I picked up the pace until I sweated.
I phoned the Montifiore Gallery, got the proprietor, and made an appointment to see her early in the evening. I drew a blank at both the home and business numbers for Terry Dart. I left voicemail messages at both numbers.
The gallery was in Harris Street, Ultimo, a walk away. I arrived at six pm as people were turning up for the opening of a new exhibition. The artists were a sculptor and painter whose names were unknown to me, which didnât mean anythingâI couldnât name a single Australian sculptor alive or dead and very few live painters. The first challenge was the stairsâsteep, concrete, two long flights. The other first-nighters were mostly young and handling the stairs easily.
Come on, Hardy
, I thought,
you can do it
.I did, at a respectable pace, with only a little help from