everybody will want to pay.â
âI wonât.â
âSit, sit,â he said, indicating chairs. Herculeah and Meat sat across from Mr. Gamballi at the table.
âNow letâs see what youâve got.â
Herculeah took out the piece of paper and wordlessly slid it across to him.
He held it at armâs length. âI donât like to read the words until Iâve gotten my graphological impressions based on the look of the writing,â he explained.
âHe did that with my dadâs letter,â Meat remarked to Herculeah.
âThough the writing is unusually small.â Mr. Gamballi brought the paper closer.
A clock in the hall ticked off the time. The seconds turned into minutes. Finally Meat broke the long silence. âHave you gotten any of thoseâwhat did you call themâgraphological impressions, yet?â
âDonât rush me. You want your full eight dollarsâ worth, donât you?â There was a touch of scorn when he spoke of the amount.
âYes,â Herculeah said.
Meat said apologetically, âI wasnât rushing you. Itâs just that on my fatherâs letter, you told me right away that he was optimistic and quickly stirred to action.â
âYour fatherâs letter was probably written in his normal handwriting style. That is not true of this letter.â
Mr. Gamballi looked from Meat to Herculeah. âThe words are unnaturally close together, leading me to believe the woman was under great tension when she wrote this. I think she usually had a more fluid, open style. Also, there are many breaks and jerks and tremorsâhere, here, hereâthat show a lot of trauma and anxiety.â
âYes.â
âThe woman herself was a well-educated, sensitive person, sympathetic and emotionalâI can tell that from the slant of the writingâbut she was definitely under great pressure when she wrote this.â
He brought the paper even closer and began to read the words. Herculeah watched his face intently, watched the lines appear in his brow.
He looked up, peering into Herculeahâs face with the same intense stare he had given the handwriting. âWhere did you get this?â
âI found it in the lining of a coat I bought.â She patted the lapels. âThis coat.â
âShouldnât you take it to the police?â
âI haveâwell, my dadâs a police detective and I was going to tell him about it, but he was out on a case.â
âWho is your father?â
âChico Jones.â
He nodded. âIâve done some work for himâthose anonymous letters threatening that newscaster, whatâs her name?â Mr. Gamballi didnât seem to expect an answer. He turned his attention back to the paper.
Herculeah said, âIâm sure my dad will help me, but I have to know more about this person now.â
He looked at her. âThis person felt she was going to be killed. She may have been.â
âI have to know.â
âAnd if she is dead, young lady, weâre talking about murder.â
âI know.â
âAnd a murderer.â
There was silence while Mr. Gamballi and Herculeah stared at each other, he with a look of warning, she with one of defiance.
Meat felt left out. He said, âCan I ask you a question?â
Mr. Gamballi nodded.
âI wanted to know if she was, well, if she was ...â Meat paused. He had been about to say âloony tunes,â but he knew Herculeah would not appreciate that. âSane,â he finished. He did not look at Herculeah because he knew she would not appreciate the question, no matter how nicely it was put. âI mean, before we start trying to find this woman, I want to rule out the possibility that it was someone who was paranoid, someone who just thought someone was after her.â
âLet me look again.â Mr. Gamballiâs eyes narrowed. âThereâs a balance