which water strives to attain a spherical drop-formâ
wound onto reels and packed into bales
tied with polypropylene and cling film to keep it dry on the sea.
all day my voice is being washed away at Staverton Ford, John Edmunds being washed away, 1840
out of a lapse in my throat
like after rain
little trails of soil-creep
loosen into streams
if I shout out,
if I shout in,
I am only as wide
as a wordâs aperture
but listen! if you listen
I will move you a few known sounds
in a constant irregular pattern:
flocks of foxgloves spectating slightly bending â¦
o I wish I was slammicking home
in wet clothes, shrammed with cold and bivvering but
this is my voice
under the spickety leaves,
under the knee-nappered trees
rustling in its cubby-holes
and rolling me round, like a container
upturned and sounded through
and the silence pouring into whatâs left maybe eighty seconds
silence
silence
Menyahari – we scream in mid-air. swimmer
We jump from a tree into a pool, we change ourselves
into the fish dimension. Everybody swims here
under Still Pool Copse, on a saturday,
slapping the water with bare hands, it’s fine once you’re in.
Is it cold? Is it sharp?
I stood looking down through beech trees.
When I threw a stone I could count five before the splash.
Then I jumped in a rush of gold to the head,
through black and cold, red and cold, brown and warm,
giving water the weight and size of myself in order to imagine it,
water with my bones, water with my mouth and my understanding
when my body was in some way a wave to swim in,
one continuous fin from head to tail
I steered through rapids like a canoe,
digging my hands in, keeping just ahead of the pace of the river,
thinking God I’m going fast enough already, what am I,
spelling the shapes of the letters with legs and arms?
S SSS W
Slooshing the Water open and
MMM
for it Meeting shut behind me
He dives, he shuts himself in a deep soft-bottomed silence
which underwater is all nectarine, nacreous. He lifts
the lid and shuts and lifts the lid and shuts and the sky
jumps in and out of the world he loafs in.
Far off and orange in the glow of it he drifts
all down the Deer Park, into the dished and dangerous stones of old walls
before the weirs were built, when the sea
came wallowing wide right over these floodfed buttercups.
Who’s this beside him? Twenty knights at arms
capsized in full metal getting over the creeks;
they sank like coins with the heads on them still conscious
between water and steel trying to prize a little niche, a
hesitation, a hiding-place, a breath, helplessly
loosening straps with fingers metalled up, and the river
already counting them into her bag, taking her tythe, ‘Dart Dart wants a heart’
who now swim light as decayed spiderweb leaves.
Poor Kathy Pellam and the scout from Deadman’s pool
tangled in the river’s wires. There they lie
like scratchmarks in a stack of glass,
trapped under panes while he slides by
through Folly Pool through Folly Stickle,
hundreds of people hot from town with snorkels
dinghies minnow jars briefs bikinis
all slowly methodically swimming rid of their jobs.
Now the blessing, the readiness of Christ
be with all those who stare or fall into this river.
May the water buoy them up, may God grant them
extraordinary lifejacket lightness. And this child
watching two salmon glooming through Boathouse Pool
in water as high as heaven, spooked with yew trees
and spokes of wetrot branches – Christ be there
watching him watching, walking on this river. water abstractor
and may He pull you out at Littlehempston, at the pumphouse, which is my patch, the world’s largest operational Sirofloc plant. Abstracting