whirring down our street, a fire engine squealing in the distance. I stayed awake for a long time, counting the spots on the ceiling where the paint had peeled off. After a while I got up and went into my parentsâ room.
My sister was already there. My father snored on my motherâs old side of the bed; my sister slept in my fatherâs spot.
I poked her. âMove over.â She grumbled unintelligibly and moved over an inch. I poked her again. She groaned and moved farther. I squeezed into the little slice of mattress, nudging her over, pulling the old flowered comforter up beneath my chin. I stared at the shadows on the ceiling that Iâd stared at my whole life.
If she dies, Iâll die. But here we were.
WORLD HISTORY
History . . . isnât simply what has happened. Itâs a judgment on what has happened.
âCynthia Ozick
Trust               Â
F our days after the funeral, my father decided that Alex and I should go back to school. I was reading in bed when he knocked on my door, peered into my room, and repeated, as heâd been doing at regular intervals, like a public service announcement, that we needed to go back to the way things were before. On Monday heâd reopen his shoe repair shop, Iâd return to the ninth grade, and Alex to the twelfth. Things had to go back to normal.
I stared up at him from my Anne of Green Gables. I was entranced by every orphan book I could findâ Heidi, Oliver Twist, The Secret Garden âlike they were company. The stream of visitors had petered out to just a few neighbors and the occasional oddity, such as Melody Bly, a religious girl in my class who had come in bearing a card signed by our homeroom and history teacher, Mr. Flag, and thirty-one classmates. The card had a huge gold cross on the front; at first glance I thought it was a plus sign. Iâd barely ever spoken to Melody; she gave me a book called The Five Stages of Grief, filled with hazy photographs of silhouettes gazing out windows. Iâdstuck it on the kitchen table on top of all the other cards weâd received, with their wispy watercolor flowers, sunrises, beach scenes, and vague quotes in curlicue scripts.
        Though a tree may lose its limb, new boughs will grow and shade the empty space.
        Grieve but a dayâspend your lifetime celebrating the love you shared.
        Love . . . bright as sunshine.
        Loss . . . large as the ocean deep.
        Time . . . will heal your heartbreak.
        Memories . . . will bring you peace.
âI got peanut butter,â my father said. He hovered in the doorway and gazed at me in my twin bed. âIâll make your lunch for tomorrow.â He never made my lunch; I made it myself. And he rarely came into my room. Though Iâd hardly changed anything since I was ten, he looked around it now like he was seeing it for the first time: the mobile of satiny stars above my door; my shelf of Barbies, scantily clad in bikinis made from old tights; a poster of Rob Lowe with lipstick marks on his bare chest; the menagerie of stuffed animals Iâd loved all my life, their fur matted, faces flat as pancakes from years of being slept on. In a sudden wash of maturity twoyears ago Iâd put them all in the closet, but in the last couple of weeks Iâd taken them out and stationed them around my bed, like a plush army.
My fatherâs eyes focused on a shelf by the window. A yahrzeit candle stood beside the Barbies. When Manny Musico had offered the candle to us my father had refused it, but as we were leaving Iâd asked if I could have it. I hadnât known what a yahrzeit candle was, but Iâd wanted it. Iâd taken everything Manny offered usâthe Schwartz Memorial Chapel stationery, the