wondering where she has gone.
The thought of him makes her breath catch in her throat, and her whole body shivers in dread. No, she whispers. Never again. She steps up onto the railing, her dark toes gripping the rounded wood. The sea is beneath her —
“Mes!” A sailor’s voice, behind her. For an instant she imagines she knows which one it belongs to—the blue-eyed Faraday boy, suntanned and lean and oh so innocent—and then she leans forward ever so slightly, into the night, and lets go. “Mes! No!” Footsteps approach her even as her toes lose hold, the long fall into darkness beginning just as he reaches the place where she stood—andthen more footsteps, more cries, as the others come running. A world away, they seem to her. A distant dream. She is aloft, a creature of the air, aflight above the waves. Falling. Beneath her the water seems to gather in anticipation—not glass now but velvet, cool and welcoming—and then the moment is past and she breaches the surface, the cold waves give way to her body and she is beneath them, struggling in the icy depths, shocked out of her dream state by the frigid reality of the sea.
Panicking suddenly, choking on seawater, she fights to get back to the surface. There is no thought of suicide now, only the blind, unthinking terror of a suffocating animal. Water pours down her face as she finally lifts her mouth above the surface of the waves and gasps for air, and not until she has drawn in two or three deep breaths does the sense of panic release her. Shaking, she coughs up some water she has swallowed, and her frozen body treads water without thought, grateful for the respite.
Above her the sailors are moving quickly. One has shed his heavy woolen jacket while another has grabbed up a life ring. Will they come down here, after her? Rescue her, and force her to live again? That is a concept even more terrifying than death, and she begins to swim away from them, her heart pounding wildly in her chest. Which does she fear more?
And then she sees him, standing among them. So dark. So still. He is like the sea itself—like death itself—and despite the distance between them she can feel the chill invasion of his thoughts in her head: seeking, analyzing, weighing. Hungering. She watches as he puts a hand on the naked shoulder of her would-be savior, and despite the distance between them she can hear his words as clearly as if she stood on the deck beside him.
“She has chosen, ” the Hunter tells them, and there is power in his voice; they cannot disobey. “Let her go.”
The silver eyes are fixed on her: watching, waiting. He can sense the presence of Death about her, and it fascinates him. Frightens him. For all his power, for all his centuries of wordly experience, this moment is beyond him. For all the choices which his power makes available, this one option is forever closed to him.
She finds new strength in that, and ceases paddling. The waves are gentle, and caress her face as she sinks a few inches. She can taste salt on her lip, and a spot of blood where she bit herself in her panic. Can he smell that? Does it awaken enough hunger in him that he regrets the promise he made so many months ago, that if she chose to die rather than serve him he would honor her choice and let her go? The complex interplay of cruelty and honor in him is something beyond her understanding. What kind of demon clings to a simple promise when his only source of nourishment is sinking beneath the waves?
Suddenly resolved, she dives below the surface. The sea closes over her head, dark and insulating. Deep down she swims, as far as she can manage, until her lungs are bursting with their need for air. And then she breathes in deeply, welcoming the cool darkness into her body. Saltwater fills her lungs, and maybe in another time, another place, there might have been pain. Not now. The spasms of her lungs are a glorious song of freedom, and even as the darkness closes in about her, she