that?â
âOn account I donât like the Twilight movies or Justin Bieber or iPhones or especially Facebook.â
âWhy especially Facebook?â
âUm ⦠no reason. Just some girl who pretended to like me and then posted how gross I was when I started to like her back.â
Mr. Rollie lays his glasses down and slides back in his chair and folds his arms. After a long time he says, âWhat do you write in those notebooks of yours?â
âHmm?â
âIâve seen you ⦠in the cafeteria, the library, outside when the weatherâs nice, which isnât very often. Are they plays?â
âNo.â
âShort stories?â
âLetters.â
âLetters?â
âYeah, but theyâre mostly for me.â
âFor you?â
âThatâs right. I donât send them or anything.â
âBut arenât letters meant to be sent?â
âNot mine.â
Mr. Rollie goes to say more but is interrupted by the opening door and Julieâs poking-in head. âSorry for barging in,â she says.
âWhat is it, Miss Snow?â
âItâs just that ⦠well, are you almost ready for me? Momâs waiting to take me to the shopping centre to get a skirt and weâd like to get there before it closes.â Julie looks at Wayne and says, âThereâs others out here, you know.â
âMiss Snow.â
âSorry, Mr. Rollie.â
âIf your skirt is more important than this termâs production then maybe you should just go.â
âNo, sir, it isnât. I really want to be in the play (did I just hear you say the provincials were in St. Johnâs this year?), itâs just that I was planning on wearing the outfit to school tomorrow.â
âI donât appreciate you listening by the door, Miss Snow, and Iâm with someone right now, so wait your turn.â
Julie shoots Wayne a glare. Squeezes her lips so tight they turn white. Slams the door.
âSorry about that, Mr. Pumphrey.â
âItâs okay.â
âKeeps the shopping centre in business, Miss Snow does.â
âShe is a snappy dresser.â
Mr. Rollie glances up at the wall clock. âWe should finish, Mr. Pumphrey. Anything else youâd like to add?â
âNot really, only that Iâd like to be in the show because I think it might be nice to be a part of something.â
Mr. Rollie sits there for a moment, then he puts his glasses back on and uncrosses his legs and gets to his feet. Holds out his hand.
Wayne shakes it.
âThanks for coming in, Mr. Pumphrey.â
âYouâre welcome.â
Wayne makes his way to the door.
âMr. Pumphrey?â
Wayne stops. âYes, sir.â
âYouâre far from gross.â
âThank you, sir, I appreciate it.â
Wayne leaves.
SIX
Supperâs on the table when Wayne walks in: pea soup and dumplings, sliced homemade bread on a flower-patterned plate, cups of tea with swirling steam. A light above the stove illuminates the still-simmering pot, beside which rests the blackened wooden ladle thatâs always used for soups and sauces and macaroni and cheese andâ for when his mother canât take much more of his fatherâthrowing.
His mother is blowing on her loaded spoon, while his sister, Wanda, listens to her iPod. Thereâs a place set for his father, but his fatherâs not in it.
His mom slurps, then looks at Wayne and says, âEat before it gets cold.â
He goes over and sits down. His mother pours him a glass of milk. Lays a slice of bread beside his bowl.
Nickelbackâs wafting from his sisterâs side of the table, some song about a photograph and red eyes and a guy named Joey with something on his head.
His mother reaches over and yanks Wandaâs earphones out.
âHey!â
âNot at the table.â
âDidnât have to tear my ears offââ
âHow