most of her books remains as mysteriously elusive as the books themselves.
The Legacy
Almost forty years after her death, Agatha Christie’s name is still synonymous with the very best detective fiction. She refined an already existing template, and for over a half-century, she expanded and experimented with it to produce a body of work that continues to transcend every known border of age, sex, race, background, and level of education. Her entire output is still available in every language and she is read avidly from Melbourne to Moscow, from Iceland to India. She is enjoyed by teenagers and pensioners; she is studied by academics and linguists and social historians. Her work provides a regular source for film and TV adapters, for computer game developers, for animators, and graphic-novel artists. Quite simply, in the field of detective fiction no other writer ever did it as often, as well, or for as long. Agatha Christie remains unique and, thus far, immortal.
John Curran is the Agatha, Anthony, and Macavity award-winning author of Agatha Christie’s Secret Notebooks and Agatha Christie: Murder in the Making. A recognized expert on the life and works of Agatha Christie, he is a frequent speaker and contributor to programs about her. He lives in Dublin, where he is writing a doctoral thesis on Christie.
The Hercule Poirot Mysteries
The Mysterious Affair at Styles
The Murder on the Links
Poirot Investigates
The Murder of Roger Ackroyd
The Big Four
The Mystery of the Blue Train
Peril at End House
Lord Edgware Dies
Murder on the Orient Express
Three Act Tragedy
Death in the Clouds
The A.B.C. Murders
Murder in Mesopotamia
Cards on the Table
Murder in the Mews
Dumb Witness
Death on the Nile
Appointment with Death
Hercule Poirot’s Christmas
Sad Cypress
One, Two, Buckle My Shoe
Evil Under the Sun
Five Little Pigs
The Hollow
The Labors of Hercules
Taken at the Flood
The Under Dog and Other Stories
Mrs. McGinty’s Dead
After the Funeral
Hickory Dickory Dock
Dead Man’s Folly
Cat Among the Pigeons
The Clocks
Third Girl
Hallowe’en Party
Elephants Can Remember
Curtain: Poirot’s Last Case
“Why not make my detective a Belgian? . . . I could see him as a tidy little man, always arranging things, liking things in pairs, liking things square instead of round. And he should be brainy—he should have little grey cells of the mind.”
–A GATHA C HRISTIE , from An Autobiography
The Affair at the Victory Ball
From The Under Dog and Other Stories
P ure chance led my friend Hercule Poirot, formerly chief of the Belgian force, to be connected with the Styles Case. His success brought him notoriety, and he decided to devote himself to the solving of problems in crime. Having been wounded on the Somme and invalided out of the Army, I finally took up my quarters with him in London. Since I have a first-hand knowledge of most of his cases, it has been suggested to me that I select some of the most interesting and place them on record. In doing so, I feel that I cannot do better than begin with that strange tangle which aroused such widespread public interest at the time. I refer to the affair at the Victory Ball.
Although perhaps it is not so fully demonstrative of Poirot’s peculiar methods as some of the more obscure cases, its sensational features, the well-known people involved, and the tremendous publicity given it by the Press, make it stand out as a cause célèbre and I have long felt that it is only fitting that Poirot’s connection with the solution should be given to the world.
It was a fine morning in spring, and we were sitting in Poirot’s rooms. My little friend, neat and dapper as ever, his egg-shaped head tilted on one side, was delicately applying a new pomade to his moustache. A certain harmless vanity was a characteristic of Poirot’s and fell into line with his general love of order and method. The Daily Newsmonger , which I had been reading, had slipped to the floor,