Bring Up the Bodies Read Online Free

you would think. One look at them and a man’s legs would go from under him. And I do not mean he would be stricken with love.’
    Gregory stirs himself. He is such a dreamer you hardly think he has been following the conversation, but his tone is rippling with hurt. ‘You insult my sisters and their memory, sir, and you never knew them. My sister Grace…’
    He sees Jane Seymour put out her little hand and touch Gregory’s wrist: to save him, she will risk drawing the company’s attention. ‘I have lately,’ she says, ‘got some skill of the French tongue.’
    â€˜Have you, Jane?’ Tom Seymour is smiling.
    Jane dips her head. ‘Mary Shelton is teaching me.’
    â€˜Mary Shelton is a kindly young woman,’ the king says; and out of the corner of his eye, he sees Weston elbow his neighbour; they say Shelton has been kind to the king in bed.
    â€˜So you see,’ Jane says to her brothers, ‘we ladies, we do not spend all our time in idle calumny and scandal. Though God he knows, we have gossip enough to occupy a whole town of women.’
    â€˜Have you?’ he says.
    â€˜We talk about who is in love with the queen. Who writes her verses.’ She drops her eyes. ‘I mean to say, who is in love with us all. This gentleman or that. We know all our suitors and we make inventory head to toe, they would blush if they knew. We say their acreage and how much they have a year, and then we decide if we will let them write us a sonnet. If we do not think they will keep us in fine style, we scorn their rhymes. It is cruel, I can tell you.’
    He says, a little uneasy, it is no harm to write verses to ladies, even married ones, at court it is usual. Weston says, thank you for that kind word, Master Cromwell, we thought you might try and make us stop.
    Tom Seymour leans forward, laughing. ‘And who are your suitors, Jane?’
    â€˜If you want to know that, you must put on a gown, and take up your needlework, and come and join us.’
    â€˜Like Achilles among the women,’ the king says. ‘You must shave your fine beard, Seymour, and go and find out their lewd little secrets.’ He is laughing, but he is not happy. ‘Unless we find someone more maidenly for the task. Gregory, you are a pretty fellow, but I fear your great hands will give you away.’
    â€˜The blacksmith’s grandson,’ Weston says.
    â€˜That child Mark,’ the king says. ‘The musician, you know him? There is a smooth girlish countenance.’
    â€˜Oh,’ Jane says, ‘Mark’s with us anyway. He’s always loitering. We barely count him a man. If you want to know our secrets, ask Mark.’
    The conversation canters off in some other direction; he thinks, I have never known Jane have anything to say for herself; he thinks, Weston is goading me, he knows that in Henry’s presence I will not give him a check; he imagines what form the check may take, when he delivers it. Rafe Sadler looks at him out of the tail of his eye.
    â€˜So,’ the king says to him, ‘how will tomorrow be better than today?’ To the supper table he explains, ‘Master Cromwell cannot sleep unless he is amending something.’
    â€˜I will reform the conduct of Your Majesty’s hat. And those clouds, before noon –’
    â€˜We wanted the shower. The rain cooled us.’
    â€˜God send Your Majesty no worse a drenching,’ says Edward Seymour.
    Henry rubs his stripe of sunburn. ‘The cardinal, he reckoned he could change the weather. A good enough morning, he would say, but by ten it will be brighter. And it was.’
    Henry does this sometimes; drops Wolsey’s name into conversation, as if it were not he, but some other monarch, who had hounded the cardinal to death.
    â€˜Some men have a weather eye,’ Tom Seymour says. ‘That’s all it is, sir. It’s not special to cardinals.’
    Henry nods,