her boy jumped from and broke his arm on the first day of school. The rope bends in the wind, moves toward her. Swallows bicker in the eaves.
Hello, love, she thinks.
Hello, Mickey.
She lays her leg across her husbandâs knees, the seam in back where he is stitched together; she draws a knuckle up the groove of his spine. Feels the life in him and, reaching, reaches for everyone at once: her girl, and the boy who Mickey was. For Charlie and Jack and Vladimir, she reaches, Virginia and Horace and Fred.
A dozen years they have passed together. He is a book she once read. A dying painter. A woman waving goodbye in the street.
Goodbye, love , Bird thinks.
She feels her lung clap shut. That old sneak cat.
âMama, stay awake with me, Mama. Iâm afraid to close my eyes.â
âI canât sleep, Bird. Iâm sorry to wake you.â
Trouble: she had seen him coming: come here.
He put his cigarette out in her layered drink and brought her to bed, too jangly to sleep.
âI keep thinking if I close my eyes I will never open them again. Iâm sorry to wake you. I canât help it. I want to make you proud of me. I want to fuck you until you canât bear it anymore until you wear down and cry. I should let you sleep, Bird. Little sparrow. Iâm sorry to wake you. Ikeep dreaming you are up on the bridge in the rain and the city is wet and blue. A boat is passing. I canât see your face. Everything is blue. Youâre all blue. Itâs beautiful. You are. And Iâm in you. Iâm in you and the boat is like a ghost of a boat and the stars are like snow but frantic and burning out in your hair.â
Later, months, weeks, she didnât know, Mickey gouged at himself with a penknife.
Asked, âWhen do I get to kill you?â
âSoon, wonât be long.â
How they felt it. He meant it and she did too.
Lunacy, yes, stupidâbut it had them by the throat, this idea, some spangly shock of narcotic they made, oblivionâout of nothing.
âWhen do I get to kill you?â
âWhat do I get to use?â
The answers came to them in the bedroom, sprung from the heat of fuckingâbed talk, potty talk, not a plan so much as a feeling, needling, the watery sloppy hum and drift a grief in her, unhelpable. Something had to give. They would fly off a bridge, dusk coming down; they would slam the car into a wall. Nothing lasting. A momentâs impulse, three.
Still an impulse: wasnât it as good most days, any old day, as intention?
The long grown list of intention, the hope of how to be.
Bird keeps grades on herself, the future school marm: aB day, a D day, details her insufficiencies: too late, too late, forgot. Nice try! The costume hung together with straight pins, the sneakers at the bottom of the pool.
She tries the PTP, the LEC, the LCCâtries service, attagirl âall the ad hoc this and that. Nurses a tree in the churchyard. Nothing pure about it. She is balancing deed with the failure to do, hoping for a wash. She brokers her little mercies, pre-pays against calamity, the F and D minus daysâthinks in averages, bigger pictures, the solid and sustainable C.
Oiled rusty bike chain
+
played guitar at All School
-
boy sears chin on cookie sheet
-
pup breaks neck on stairs
Bird wants to be caught. Flung out.
Her husband moans in his sleep, he twitchesâa dog chasing squirrels in a dream.
Bird resorts to a different tally, to the one she keeps against him. For dreaming, for instance, when she isnât. Fordrinking the last drop of coffee. He never lets her use his toothbrush, or his 25-cent comb.
She wants all of it.
He tells her nothing. Tells her everything. Tells a good joke, his same good joke, and everybody laughs but her. Goofball, high school stories. Mellow man, man of good cheer. Easy to love, happy even asleepâbut anything can be wielded. I was happy and look what you did.
âDid you see what I did? I