house.â
Catherine glanced down at the victim. âHeâs all yoursâ¦. Wasnât exactly in charge of his own destiny when he died, either.â
âMight have something significant here,â Grissom said, as he swept with the mini-flash around the body, not wanting to disturb any evidence when he drew nearer.
Catherine arched an eyebrow. âYou think?â
She turned toward the hallway as Detective Damon finally made his way inside the house. Pulling up short, he winced, nostrils flaring before he quickly covered them. âWhoaâwell, isnât
that
nasty?â
âVictim evacuated at death,â Grissom said matter-of-factly.
Between the manâs spread legs, feces pooled in urine. Grissom was long since used to this, but what bothered him most was that these strong odors could blot out other, subtler, more important ones.
From the corridor, Catherine said, âIâll start in the kitchen.â Her crime-scene case swinging at her side, Catherine disappeared through the doorway.
Color had drained from the detectiveâs face; perhaps the word âkitchenâ had in this context given him a bad moment.
âYou need me here?â he asked with an audible gulp.
âYouâll just be in the way,â Grissom said.
âI mean, it is
my
crime sceneâ¦.â
Grissom gave him a firm look. âNo itâs notâitâs mine. Let me process it, then weâll talk ⦠outside.â
The detective desired to take the argument no further; he practically sprinted out the front door.
Returning his attention to the body on the floor, Grissom started by getting the big picture.
A Caucasian man between forty-five and fifty, he estimated; the victim was nude, prone, on his stomach, a rope around his neck. The index finger of his right hand had been severed andâso far, indications wereâtaken away. The manâs head was to one side, giving Grissom a view of a telling touch by the murderer: the deceasedâs lips had been painted with a garish red lipstick.
A CSI always kept an eye out for
modus operandi;
but seldom was a signature so explicit. The normally detached Grissom felt a chill, but it had nothing to do with fear or even revulsionâhe just knew he had to make a phone call on this one. A friend was affected by this.
But, his nature being his nature, he decided to work the scene first.
The vic had probably been asphyxiated, but Grissom knew better than to make that more than a working hypothesis, and would wait for the coroner, to make the final call on cause of death.
Grissom got his camera from his stainless steel crime-scene kit, and started taking pictures. First he did the room, then the body, then close-ups of the body. It took a while, but he had long ago learned patience, and even though thoughts flooded his mind, Grissom held himself to the standard of quick-but-not-hurried. He forced the impending phone call to the back of his mind and continued his work.
After a while, Sara came into the room. Unlike the detective, she reacted not at all to what a civilian would consider a stench, but which a professional crime scene analyst would consider par for the course. Nor did anything but the faintest trace of sadnessâeven pros were allowed compassionâcross her wide, pretty mouth.
Then she said, âGot a partial off the bell, couple partials off the knob.â
âItâs a start,â Grissom said.
âWhatâs Catherine up to?â
Grissom glanced at her, a little mischief in his faint smile. âWomanâs place is in the kitchen.â
She grinned, grunted a laugh. âYou wishâ¦. This oneâs ⦠specific, isnât it?â
âIt is that.â
âDoesnât ring any of my bells, though. How about yours, Grissom?â
âThey toll for him,â he said, nodding toward the victim, but explained no further.
Sara didnât expect him to, and didnât