to school. She didnât come home, she hasnât been in touch. Her grandmotherâs offered five thousand euros if we can get her back in a fortnight. Andâ¦â
âFive thousand euros, alive or dead?â
I suppose thatâs the kind of question I ought to have thought of asking.
âI hope weâll find her alive.â
âWhat do you think, runaway or kidnap?â
âNo idea.â
âWhat kind of girl?â
âDifficult, sex-mad, off the rails.â
âWhatâs the family like?â
âThe fatherâs a writer, with a private income, from the family pharmaceutical company somewhere near Lyon. He brought the kid up on his own, with the grandmother being around a lot. The mother took off when Valentine was two years old, doesnât see her, and nobody seems to know at the moment where she is.â
I open my backpack and bring out a photo of the kid. The Hyena hesitates to take it.
âI donât really see how I can help youâ¦â She glances down at the picture, and seems to think for a while as she observes it. She hesitates. I feel reassured.
âAnd how much will you give me if I work with you?â
âThe five thousand euros bonus. Itâll be in cash. And ifthereâs no result⦠weâll have to work out how to divide up my pay.â
âAt that kind of rate, I wouldnât want to put myself out too much.â
She smiles as she puts the glasses back on. I canât tell if I amuse her or annoy her.
She has started calling me âtuâ now. âSo you let me keep the money, young Lucie, but are you going to work on it too, or do sweet FA?â
âI⦠Iâd prefer to have someone working with me, in the sense thatâ¦â
âThat you have absolutely no idea where to start. Well, at least thatâs clear. Did you bring the file from when you tailed her?â
âItâs all on my laptop.â
I bend down to take it out, but she stops me with a click of her fingers. âCan you put it on a USB?â
The Hyena has put Valentineâs photo in the middle of the table facing her. âTeenagers arenât really my thing. They usually have good reasons to clear off, donât they?â
âShe might have been kidnapped.â
She puts her head on one side and seems lost in contemplation of the photo. She has beautiful hands, pale with long fingers, I notice that the nails are bitten down to the quick. She wears an enormous ring with a deathâs head on it, a bit pathetic in my view, who does she think she is, the Keith Richards of the shit-stirrers? She concentrates for a moment on the portrait of Valentine, who is smiling into the camera, three-quarter angle, bright eyes, pretty dimples, glossy hair. Slightly plump. Like all girls of her age, in family photos theyjust look like nice kids. Then the Hyena fixes her eyes on me pensively, thereâs something disquieting about the insistence of her gaze.
âLittle girls with puppy fat are trying to cover up for their fatherâs lies.â
Brilliant. I thought I was working with James Bond, and now Iâm dealing with a family therapist. I donât know how to answer in a way that doesnât seem disagreeable, so I opt for being pragmatic.
âTeenagers go in for a lot of sugary drinks.â
âAnd why did the family take the step of having her watched?â
âI think they thought Valentine was⦠putting herself in danger.â
âWhat kind of danger?â
âYouâd need to look at the other photos in the file, sheâ¦â
âLater. So what do they think
theyâre
going to do, to protect her?â
âI havenât had a chance to discuss that with themâ¦â
âBut all the time youâve been doing this job, you must have some idea what the clients want, donât you?â
âI donât know. No. I donât have anything to do with what