some effort, I manage not to shudder. His cuteness factor has dropped so far below my minimum, itâs no longer on the radar. Itâs a pity sometimes when they open their mouths.
âYou I.D. the victim?â I ask.
âMailbox says Mr. Diego Chino. Neighbor said he lived alone, some kind of famous artist.â
âThat what made you tip off my editor?â
Silence.
I move on. âNeighbor sure itâs him?â
The young officer winks at his partner. âShe didnât feel up to helping us look for his face.â
_____
Detective Sergeant Frank Fury storms into the apartment with trench coat flapping and bare hands curled into fists the size of boiled hams. He is ready for a challenge and appears mildly disappointed when the two officers merely gawp and retreat.
âAh, crap,â he grumbles while looking at the body. âWhat a bloody mess.â
The two uniformed officers physically shrink as Frankâs glare falls upon them. Then he spots me.
âHow in hell did you get here?â
âCab,â I say dryly. âDriverâs name was Charlie Parker, but he claims not to be musical. Not sure I believed him.â
Frank rubs the knot between his eyes. âIâve got two boys downstairs with strict orders to keep the jackals out of my hair.â
âNot much left to get tangled in.â
He scowls.
I show my teeth.
Itâs how we work best.
Frank and I prowl the same beat, but he doesnât have the luxury of typing -30- (a nostalgic journalistic holdover from the days of the telegraph that means, quite literally, âNo Moreâ) at the end of each story before sending it to press and starting the next. He tends to hold on to the idea of justice too tightly until the frustration oozes from his pores like musk. That fervency has bled into a craggy face with a W. C. Fields nose and shovel-sharp chin, and left its mark most prominently in a pair of predatory, steel-gray eyes.
His wardrobe does nothing to help, with baggy brown Kmart pants, wrinkled cotton dress shirt, a skinny tie the color of a coffee stain, and a knot so tight you know he never unties it. He wraps it all in a shapeless trench coat that barely envelops his solid 240-pound frame.
Next to Frank, I look like a juvenile delinquent. He stands eight inches taller than my five-six-in-heels, which means if thereâs a moonroof in his severe salt-and-pepper flat top, I canât tell.
I move carefully around the edge of the room to stand beside him. Iâve only been on the scene a short time, but already Iâve managed to distance myself. The body on the floor has become more of a puzzle piece than flesh and blood. Perhaps that cold detachment is one reason I have trouble getting second dates.
âHis name is Diego Chino,â I volunteer. âHeâs an artist.â
âNever heard of him.â
âHeâs big if you move in the right circles.â
âI get dizzy easy.â
We both smirk.
âLooks like suicide,â I say.
Frank nods.
âBut might not be,â I add.
Frank flares his nostrils. âGo on.â
âNotice the canvas?â
âThe one covered in blood?â
âYup.â
âWhat about it?â
âItâs brilliant.â
âCome again.â
âThe raw power of it,â I explain. âThat piece is going to be worth a fortune.â
âOnce you clean the blood off?â
âNo. The blood is the paint. The positioning of the canvas and direction of the gun blast was intentional. Itâs a modern masterpiece.â
âYouâre one sick pup.â
âWait and see. I wonât be surprised if Diegoâs agent has a buyer by morning.â
Frank holds up one hand. From heel to tip, it is larger than my entire face.
âOK,â he says. âLetâs say this painting is valuable. Why does that rule out suicide?â
âDiego was a publicity machine. He courted