holdings, spied my great-great-auntâs lush garden, kicked open their door, and demanded half: âWhat grows on my land belongs to me!â He made clear his intention to claim half in perpetuity, so they plowed the garden under that night. And then there were all the times the overlord sent for his vassals to perform some menial labor in his baronial mansion, like furniture-moving or trash-hauling. They made a habit of showing up drunk, so that custom withered away as heirloom china shattered on the polished oak floors of de Big House.
Degradation was a daily occurrence for them, yet I have to comb through my memory for stories like that. I donât believe I could come up with many more. Except, of course, for the worst one, the one Iâll never forgive that Southern system of apartheid for.
Though for years my mother moved me to tears with the sad story of her motherâs childbed death, I was nearly grown before she added the details many others would have put first. A white doctor had managed to stabilize my grandmother, though her condition remained grave. He left firm instructions that she was to be left alone, that only he would attend her. White interns, eager to practice their newfound surgical arts, operated on her for practice anyway. Drastically weakened, infected from the botched job, and afraid of what else they might do to her, my grandmother hid the pills they gave her in the masses of her curly black hair and died. Itâs not clear that the pills would have saved her, or even exactly what they were for, but none of the family ever doubted the wisdom of her refusing further treatment. Having heard about the forced surgery, the Gooches were coming to take her home to safety. But they were too late.
To my mother, that story is only about inevitability and loss. Itâs about hearing those tiny little pills click-clack against the floor tiles when they came to claim the body, watching them skitter heedlessly, impotently buffeted by forces so much stronger than they. This was notâas it was for me, when I tried to radicalize her laterâa story about white perfidy and the valuelessness of black existence. To accept that version, she would have had to have been a different person, a person who could hate.
She rarely told a story the point of which was anything other than simple entertainment. She kept up with the yearly (pre-VCR) showings of
Cinderella, The Wizard of Oz,
and
Peter Pan;
she clapped as hard as we did to keep Tinkerbell alive. She made the simplest tasks and events seem fabulous, which is not to suggest that she wasnât a stern taskmaster; no drill sergeant set higher standards than did she. For her, there were only two ways to do anything: âmy way and the wrong way.â The wrong way got you whipped, so we stepped lively. Take hanging out the wash.
After manhandling it through our wringer washer (a big improvement over the scrub board and big iron tub that used to turn Mamaâs knuckles to sausage, but still hard work), our job had just begun. It had to be hung in a particular order (menâs shirts, menâs pants, all underwearâin their proper, gendered orderâobscured in the middle for decencyâs sake); in a particular manner (right side out, right side up, front facing the house if out back, the basement stairs if inside); and with a specified number of pins (five per sheet, two per shirt unless itâs a babyâs, in which case . . . ); pinned in a prescribed fashion (shirts: one at each shoulder . . . ). An overuse of clothespins was wasteful, an underuse was trifling, slovenly. Any deviation was âjes doin things any olâ kinda way.â
Worse than her whippings was her wit. If I daydreamed while a pot of water hissed and bubbled unnoticed, Mama would quip, âWhat you want that pot to do âsides boil?â If some lazybones replaced an empty box in the pantry, sheâd ask innocently, âWhen you