Southwest, under the auspices of the National Wrestling Alliance, that held talent-rich cards in support of the closed-circuit broadcast from Tokyo.
By comparison, Saturday’s afternoon action at the Budokan offered little attraction outside the main event. Demonstrations of a traditional Iranian martial art as well as Goju Ryu karate preceded a pro wrestling tag-team match for Japanese fans, whose reputation as intelligent, mindful watchers of combat is well earned. If a sense of uncertainty circulated among American audiences, the Japanesewere utterly fixated on the enormous event that, courtesy of Inoki, had arrived on their shores.
Hideki Yamamoto, a fourteen-year-old junior high student fond of Coca-Cola packed in 350-milliliter steel cans, was in his second year at Wakasa Junior High School. On Saturday afternoon the left fielder was supposed to be practicing with his baseball club, but he and some of his teammates slipped out of training and found their way to a teachers’ lounge.
“There was a TV set, and some teachers, including our baseball coach, surrounded it,” recalled Yamamoto, who years later served as an executive for Japan’s seminal mixed martial arts promotion, the Pride Fighting Championship, with which Inoki was also affiliated. “I found out it was the live TV broadcast of the fight. The coaches said something but I could not hear what it was. They did not blame my friends and allowed them to keep watching.”
Ali’s presence in the match made people across Japan stop whatever it was they were doing to watch. This was precisely what Inoki wanted. While the businessmen who put up the money saw fortune, the ambitious wrestler envisioned his name being exposed to the wider world. Up to that point, he had been largely anonymous outside of Japan. Inoki touched fame in Asia, and some diehard stateside pro wrestling fans knew of him, but his ego demanded a larger audience. So he set out to find one.
During final preparations before his ring walk, Ali preened in front of a mirror in his locker room. Padded with white gauze and bandages, Ali’s prized hands expertly tied off his white Everlast satin shorts accentuated by a black waistband and black stripes down each side—the same colorscheme he wore for so many indelible moments in the ring. Surrounded by members of his boxing entourage—Angelo Dundee, Drew “Bundini” Brown, Dr. Ferdie Pacheco, and Wali Muhammad—and people there just for this night— Freddie Blassie and Korea’s Jhoon Rhee, who popularized taekwondo in America—Ali primped before shooing away a Japanese cameraman.
As a rookie reporter for United Press, Andrew Malcolm worked the occasional boxing event from ringside. He had learned the risk of being so close to the action that snot and spit might fly in his direction, so years later as the Tokyo bureau chief of the
New York Times
, Malcolm chose to settle in fifteen rows back from the apron. Ali and Inoki were expected to enter the ring around 11:30 a.m. local time and as the middle of the day approached, Budokan Hall was stifling. The mugginess made Malcolm squirm in his seat, which was set up with a full-service telephone line connected to a recording room in New York that collected reporters’ phoned-in stories or notes. As an event unfolded, staff could take those accounts and begin working them into stories. Narrating the blow-by-blow back to New York was Malcolm’s first task, though he felt silly talking on a trans-Pacific phone without someone listening on the other side. Next would be arranging time to speak with Ali after the bout for a feature on how smitten Japan was with him and the match.
From his vantage, Malcolm saw the trio of officials chatting as best they could in a neutral corner. Two Japanese judges, hefty grappler Kokichi Endo and boxing official Kou Toyama, joined American referee “Judo” Gene LeBell, who sported red pants to match his ginger hair, a blue shirt, and black bow tie. He had