notice foraged for flowers and berries in the coppice and were always inventing sea-journeys and pilgrimages from which we returned tired and holy carrying the little ones on our shoulders
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and later he was happy sitting back and watching his seed carried over the water
People of the Bog Back there the days are darker and the nights are longer in the Old Country where the North won’t freeze you but your bones are aches and numb hands drop things on the chill tiled floor • and I remember once lighting the last lantern-candle we walked round the neighbours’ begging a basket of coal or twigs but every house was cold and blank as ours ~~~ Just last month Mam wrote me “look son, they are pulling the ancestors up from the bog” • well, I knew then I’d have to go over and see it done right • As I stood by and watched a leathery grandfather was brought up out of the peat the third that day they lay in a row on the stiff heather • they in their tattered skin and thongs, shackled by rings to their rusted broken dirks • “Rubbish” said Rob with the horses did the pulling and he unhitched Dolly and Ramon a pair of pretty greys “the chain’s heavy” he said “this is the end of the day” • and, you know, he’d expected some treasure like torcs or gold bangles or brooches with dark carnelians • or a great beaten-silver drowning bowl
Kahan Eyes are likened to sea but yours are gemstones are blue zircons......are not sapphire......are not turquoise are lapis are aquamarine • Inwardly looking on vineyards on olive groves hands that might plant grapes that might gather fruit in an orange grove turn the mimeographed pages of a history of your people in this prairie place • “over there is the farm I wish I could show you the house where I was born it was built of logs it had three rooms • the school was named Tiferes Israel” • Kahan • you are in love with the fields with the bluffs of poplar your hands your father’s hands cleared all that bush broke all that prairie under the hard plow you turn your gaze downwards as we pass the place that used to be your farm your farmer’s hands tremble on the pages of the book • later you stand at the gate of the small cemetery explain “I am of the house of the high priest may not walk in the acre of the dead my feet may not touch those places where my people are seeded in the prairie rich wheat in the prairie grass” • eyes are likened to lakewater to distance to air to sky • your eyes are gemstones set deep in the metal of your face are tourmaline are lapis lazuli
Untitled falling on gravel • my knees scratched I feel small pointed stones entering into my palm’s skin drawing a bloody pattern • I know the stones are reaching for the bones pushing themselves inwards biting in.....trying to unite with what is theirs theirs is the hard part of me ....the knobbles and shafts ....and small tarsals • I will cheat you rock and inside skeleton of earth with potent berries and mushrooms my bones will melt and when at last I go down into the dirt I shall be crumbled loam and a mulch of skin and leafy hair
Untitled “There was an old woman lived under a hill and if she’s not gone she’s living there still” • Adam standing on the mound’s top his arms outstretched, his arms stretched in accusing gesture He is railing on God The west seawind blowing his beard about his hair a tangle of knots and wisps • And I crouching beneath having been named a witch more than once and a whore many times more than that I am keeping quiet planning to have him again if I can.....I let the knowledge of myself rise up through the stony earth and grass as though I were a wisp of smoke rising through a chimney but there is no easy aperture I have to twist myself out round and between the snaggy roots of